High on the '60s? This show'll bring you down

http://www.philly.com/philly/entertainment/20090424_CasiNotes__High_on_the__60s__This_show_ll_bring_you_down.html

By Chuck Darrow
4/24/09

TROPICANA CASINO and Resort is to be commended for being the only 
Atlantic City casino that programs traditional production shows on a 
year-round basis. But that doesn't mean that the Trop gets a pass for 
its latest effort, "Celebration of the '60s."

The revusical's problems begin with its title, which, while 
chronologically accurate, is somewhat misleading. Sure, all of its 
material was originally recorded between 1960 and '69. But when most 
people think of what we now consider "the '60s," what is conjured up 
is that world-changing stretch of the latter half of the decade when 
popular culture was molded by the "sex, drugs and rock 'n' roll" 
ethos of the counterculture.

However, "Celebration of the '60s" barely tips its bell-bottoms to 
that era. Instead, the bulk of the 70-minute program, running through 
June 6, pays tribute to the far more musically and culturally 
innocent early '60s, when "American Bandstand" set the pop music agenda.

As a result, the likes of Bob Dylan, the Beatles, Jefferson Airplane, 
the Doors, Jimi Hendrix and other generational titans are ignored in 
favor of harmless (if phenomenally popular) artists like Neil Sedaka, 
Connie Francis and the Four Seasons (true, "Twist and Shout," a 
Beatles' signature, is included, but it was not written or recorded 
first by them). And the show's two nods to real rock music, The Who's 
"Pinball Wizard" and "Honky Tonk Woman" by the Rolling Stones, seem 
totally out of place.

Even the poppier chart-toppers of the late-'60s (e.g. the Monkees, 
the Association and such Motown legends as the Supremes, Four Tops 
and Smokey Robinson) are ignored in favor of older artists.

Making matters worse is that "Celebration of the '60s" has no use for 
anything resembling logic. There is neither narration nor video to 
put the music into any kind of context, and the set list follows no 
logical chronological or thematic threads.

Songs are performed willy-nilly; for example, "Crazy," the 1960 
country ballad by Patsy Cline, is sandwiched by the Beach Boys' 1964 
hit "Fun, Fun, Fun" and "Pinball Wizard," which was released in '69.

And there are more specific problems as well. For instance, there's 
what has to be the most soulless version ever of Sam & Dave's "Soul 
Man," and the out-of-place, Temptations-style choreography during the 
Four Seasons sequence (uh, guys, the Seasons played their own 
instruments and thus didn't dance).

Most glaring, however, is the rendition of Little Eva's 1962 smash, 
"The Locomotion," which is reimagined as a smoky, cabaret jazz 
number. It's safe to say that with this abomination, the year's 
showbiz nadir has been reached in Atlantic City.

But there are some bright spots. The brief salute to the 
groundbreaking Broadway musical "Hair" not only hits the right 
musical notes, but it also gives the 16-member cast of singers and 
dancers a showcase for their individual and collective talents. (And 
suggests that "Hair" would be a perfect gaming-hall presentation.)

And, throughout, director-choreographer Alan Harding's dance schemes 
nicely animate things.

Despite the show's many shortcomings, it's only fair to note that the 
audience at a recent performance was nothing if not enthusiastic and 
generous with its responses. But if you're at the Trop and have a 
hankering for some musical nostalgia, you'll do much better by 
checking out "Yesterday - A Tribute to the Beatles," in the Liverpool 
Club, rather than "A Celebration of the '60s" in the big room.

Tropicana, Boardwalk at Brighton Avenue, 9 tomorrow, 7 p.m. Sunday, 8 
p.m. Monday, 3:30 and 8 p.m. Tuesday-Wednesday, $25, 800-736-1420, 
www.ticketmaster.com.

...
--

Chuck Darrow has covered Atlantic City and the casino industry for 
more than 20 years. Read his blog at http://go.philly.com/casinotes. 
E-mail him at darr...@phillynews.com.

.


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