Ed McClanahan still telling stories

http://www.courier-journal.com/article/20090901/FEATURES06/909010315/1011/SCENE

By Larry Muhammad
September 1, 2009

Maybe he's no Hunter Thompson, but at least the Lexington-based 
writer Ed McClanahan ­ aka counterculture figure Captain Kentucky in 
the 1960s and 70s ­ is still alive.

"Hunter was a trip," said McClanahan, author most recently of the 
story collection, "O The Clear Moment". "Whatever his reputation was, 
he lived up to it. I was teaching in Montana, he came up there, and 
we ended up spending the night running around Missoula, and it was a blast."

A congenital wit and gifted storyteller whom reviewers compare to 
Mark Twain and Kurt Vonnegut, Jr., McClanahan is no angel himself.

He fell in with Ken Kesey's hippieband, The Merry Pranksters, in the 
1960s as a Stanford University student, a group including Neal 
Cassady and Allen Ginsberg that sometimes lived communally, used 
psychedelic drugs and famously travelled the country in a 
weirdly-painted school bus called Furthur.

Now 76, he's one of its surviving members.

"There are others," he said, "primarily Ken Babbs (Kesey's best 
friend of co-author with him of "Last Go Round"), George Walker, and 
Mountain Girl (Carolyn Adams). She was Kesey's squeeze, as it were, 
but also Jerry Garcia's wife."

When Kesey, probably best known as author of "One Flew Over the 
Cuckoo's Nest", died in 2001, McClanahan was drafted to edit "Spit in 
the Ocean #7" a memorial edition of a literary magazine Kesey had 
founded in 1973 and sporadically self-published, ending with #6 in 1981.

Contributors included Thompson, Tom Wolfe, Kentucky Poet Laureate 
Gurney Norman, folksinger Rosalie Sorrels, filmmaker Gus Van Sant, 
and novelist Larry McMurtry.

"This was a chore that I just loved, really enjoyed doing it, and I 
think of that as a book that I'd written," said McClanahan, who also 
credited the project with interrupting work on his novel-in progress, 
"The Return of the Son of Needmore", a book he once dubbed "my entry 
for the Pulitzer Prize novel of 2032" ­ some indication of his work ethic.

He's published a handful of books in 50 years of writing ­ his debut 
novel, "The Natural Man", was started in 1961 and published 22 years 
later in 1983 ­ and has blithely described his literary output as 
"just a slightly hyper attempt to capture you attention."

His latest, a collection of stories out last year, "O The Clear 
Moment", was published by Counterpoint Press and bears a nifty cover 
drawing by Ralph Steadman. The 9-story pocketbook volume received 
charitable reviews for its colorful characters and backwoods charm.

One story, "Dog Loves Ellie", involves a class reunion featuring high 
school basketball heroes in Maysville and the object of an enormous 
schoolboy crush.

As McClanahan writes, "the door to Miss Wallingford's 10 o'clock 
English class opened and into my life stepped ­ be still, my heart! ­ 
Ellie Chadwick! All that semester in English class, she sat in the 
row to the left of mine, one seat ahead, so that for fifty minutes 
every morning her immaculate profile was before me, a lovely 
enigmatic ivory cameo. In homage to its alabaster perfection, I 
taught myself to write "Ellie" in the margins of my grammar workbook 
in fat, overlapping letters resembling nothing so much as a handful 
of amorous caterpillars at the height of mating season."

Some reviewers however noted that "O The Clear Moment" contained 
stories recycled from previous collections ­ "Another Great Moment in 
Sports" and its predecessor "Great Moments in Sports" were both from 
his 1998 collection "My Vita, If You Will", and "And Then I Wrote…" 
from "Famous People I Have Known" in 1985.

McClanahan said in a telephone interview, "It's true that some of 
those stories have resurfaced from other works, but the fact is that 
the ones that have been published before had been published in what I 
would consider pretty obscure places. The story 'Fondelle or, The 
Whore with a Heart of Gold' is a long story, novella length, and that 
was published in a limited edition, fine press book but they only 
printed 700 copies and I couldn't see any reason in the world why I 
couldn't put that before a larger audience if I could. Same thing is 
true of 'Great Moments' and "Another Great Moment'. Those two stories 
were in my book 'My Vita', which was certainly not a bestseller, it 
didn't have a wide audience, but I like them and thought they 
deserved a bigger audience too. I am far from apologetic."

Native of Brooksville, Ky., McClanahan graduated University of 
Kentucky in English and attended Stanford on a Wallace Stegner Fellowship.

He's taught creative writing and English at University of Kentucky, 
Northern Kentucky University, Stanford, University of Montana and 
Oregon State University.

His reviews, essays and stories have appeared in Esquire, Rolling 
Stone, and Playboy.

He lives in Lexington with his wife, Hilda, a concert pianist and 
teacher from Belgium whom he met at a Derby party in 1991. He has 
five grown children from two previous marriages.

He's been known to lecture creative writing workshops in full Captain 
Kentucky regalia and continues to plug away on his unfinished novel, 
"The Return of the Son of Needmore".

His website includes uncollected writing such as "This Just In! Old 
Hippie Gets New Hip!", and much of his work is admitted autobiographical.

"Son of Needmore" is set in a factional town based on Brooksville, 
McClanahan's birthplace.

And he's described "Clear Moment" as "an implied biography", 
explaining, "I remember when my friend Gurney Norman published his 
book of stories, 'Kinfolks', about a young boy who rose to manhood, 
editors wanted to call that an implied novel. Quite clearly they were 
separate stories, but all were about the same young man and he does 
progress through them. And that's the way the stories in 'Clear 
Moment' are. It's an implied biography because those stories are 
clearly about me."

.


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