Ken Loach and Jane Fonda made to 'look foolish' by Venice best film winner

http://www.thefirstpost.co.uk/53467,people,news,ken-loach-and-jane-fonda-made-to-look-foolish-by-venice-film-festival-best-film-winner

Israeli anti-war film 'Lebanon' wins Golden Lion in Venice while 
Loach and Fonda demand a boycott of Tel Aviv films in Toronto

By Jack Bremer
SEPTEMBER 14, 2009

The Toronto film festival, which opened at the end of last week, 
overlapping with Venice, has been hit by a censorship storm 
concerning its decision to choose Tel Aviv for its inaugural 'city 
spotlight' section. A line-up of well-known protestors - including 
Jane Fonda, Ken Loach and Noam Chomsky - has backed a call by a 
little-known Canadian documentary maker John Greyson to boycott the 
Tel Aviv films.

Greyson said this was "not the year" to celebrate 'Brand Israel' in 
the light of the invasion of Gaza and the continued expansion of 
illegal Israeli settlements on Palestinian land. As a result, Fonda, 
Loach, Chomsky and others signed a joint letter titled 'The Toronto 
Declaration - No Celebration of Occupation'. It claimed that the 
festival "whether intentionally or not, has become complicit in the 
Israeli propaganda machine".

However, their protest has been thrown into sharp relief by the fact 
that an Israeli film, Lebanon (above), won Venice's Golden Lion for 
best film at the weekend. Moreover, it is a film that could never be 
called propaganda. Set almost entirely inside an Israeli tank at the 
start of the 1982 Lebanon War, it carries a powerful anti-war message.

Its director, Samuel Maoz, who based his script on his own traumatic 
experience as a tank gunner during that war, said there were powerful 
voices in Israel who had been opposed to his film competing at 
Venice. He added: "I suppose ever filmmaker has the naïve, even 
pathetic dream that his film could be the one that finally stops a war."

A Hollywood producer attending Toronto told The First Post last 
night: "The Golden Lion for Lebanon has made Fonda and co look 
foolish. I admire Ken Loach as a film-maker but there are a lot of 
people here who wish he'd stop using these events to score cheap 
political points."

He was referring to the fact that Loach tried to force boycotts at 
both the Melbourne and Edinburgh film festivals this summer. In 
Melbourne he withdrew his film Looking for Eric when he discovered 
the festival was part-sponsored by Israel. In Edinburgh he led a 
campaign to force festival organisers to return a £300 grant from the 
Israeli Embassy designed to pay for a young Tel Aviv filmmaker, Tali 
Shalom Ezer, to travel to Scotland for the screening of her film, Surrogate.

Prominent American and Canadian Jews had already reacted angrily to 
the Fonda-Loach Toronto boycott before the news of Lebanon's victory 
in Venice came through on Saturday night.

Marvin Hier, founder of the Simon Wiesenthal Center in Los Angeles, 
said: "Tel Aviv is one of the freest cities in the world, warts and 
all: a model city of diversity, freedom of expression and tolerance, 
for Arabs and Jews. It is the height of hypocrisy to single out Tel Aviv."

The veteran Canadian director Ivan Reitman, who made the mega-hit 
Ghostbusters, said: "Film is about exploring the complexities and 
contradictions of the human condition. Any attempt to silence that 
conversation, to hijack the festival for any political agenda in the 
end, only serves to silence artistic voices."

Samuel Moaz, director of Lebanon, asked by the Observer to comment on 
the Toronto boycott, said: "The point of a film like mine is to open 
a dialogue, to get people talking to each other about important 
issues. It makes no sense to boycott art. Maybe I wouldn't have won 
if Jane Fonda was on the jury, but she wasn't."

.


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