The Beats at 16th Street Theater

ON THE ROAD AGAIN 16th Street gets the band back together.

Photo: Anthony Aicardi

Filmer’s choice to revive The Beats 14 years after its 1997 debut at
Writers’ Theatre is beyond wise; the production on the intimate stage at
Berwyn’s 16th Street Theater is aurally evocative and whip-smart,
propelled by a young cast capable of delivering all the rage, intellect
and humor of Kerouac, Ginsberg and their contemporaries.

The script is a primer in effective stage adaptation. Writers’ cofounder
Campbell crafts the words of the Beats into a light narrative without
onerous dramatization. Accompanied by live musicians, the ensemble
enthusiastically plays off of one another on a mostly bare stage, with
snippets of poems written in gold on the black concrete wall behind
them. Filmer’s talent for subtly raising the onstage temperature—so you
don’t notice until the house is burning down—is in full effect here. At
the first-act close, John Taflan’s reading of Ginsberg’s Howl bluffs an
understated delivery before cutting loose fury and remorse as the lights
abruptly die. It’s a shock and a thrill.

The Beats re-creates the genesis of the cult of counterculture, as
performed by its great modern disciples. Remounting it at the apex of
the “angelheaded hipster” revival serves both to celebrate America’s
first wave of tight-jeaned, cigarette-and-coffee eggheads and to remind
us that today’s dissident youths ape the style but not the substance of
their forebears. That the show speaks so eloquently to 2011 is a
testament to the literature that Beat generation writers produced, but
also to the tenacious intractability of the culture that so horrified
and enraged them.

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http://chicago.timeout.com/articles/theater/91274/the-beats-at-16th-street-theater-theater-review
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