Image Returns to Vietnam Zombies in '68

Imagine yourself a young adult in the late 60s. War is raging in the
small Asian country of Vietnam, and you’re next in line for serving on
the front lines.

And oh yeah, there’s zombies.

In real life you’d be the last one going back to a war-torn Vietnam
filling up with zombies, but in the comics world the readers have been
clamoring for the creators of the 2006 one-shot ’68 to do that very
thing. And now they’re doing.

Starting April 29th, writer Mark Kidwell and artists Nat Jones and Jay
Fotos are gearing up for another tour of duty in the zombified jungles
of Vietnam in a four-issue series bearing the same name as the prior
one-shot, ’68. In this new series, the trio are fleshing out this rugged
terrain and looking for why it happened, where it’s happening and what
its like living through it. To do that, they’re looking not only in this
small corner of Asia but to the outside world looking for culprits. And
to get the big picture, they’re brought in a comics mercenary to help
with that: horror veteran Tim Vigil will be doing 4 page shorts in each
issue of the all-new ’68 series.

It’s been four years since the original
’68
one-shot, but now that these guys are back together they’re not wasting
time on expanding the mythos of their Cold War era zombie epic – in
addition to this four-issue series starting in April, they’re also
working on two one-shots set for later this year. As we count down the
days to re-entry into the late ‘60s Vietnam and the zombies that plague
the region, we talk to series writer Mark Kidwell and artist Jay Fotos.

Newsarama: Eagle-eyed readers might remember a previous one-shot called
’68 from you – so what brought you back for another tour of duty, and as
a 4-issue series no less?

Mark Kidwell: Since the original ’68 one-shot was published, the
interest from readers hasn’t diminished. At conventions, this is the
book the fans comment on and ask about, requesting more of the
Vietnam/zombie storyline. As creators, we’ve all been very passionate
about continuing the book and expanding on its concept too, so now’s the
time for everyone to get what they want...more ’68.

Jay Fotos: The first one-shot was published in 2006 through Image
Comics, and it did well. Over the years, like Mark mentioned, the fans
kept asking for more. We always talked about continuing it and now five
years later we’re back with all the original creators!

Nrama: Do people need to have read the original one-shot to get what’s
going on in the new ’68 series?

Kidwell: It’s not mandatory to read the first one-shot if you want to
pick up and enjoy the new ’68 series. We touch on a few of the things
from the first book, but you won’t be a “fish out of water” if you start
with the new issue #1. The new series is self-contained in that it
presents a new story with a definite beginning, middle and end. This
being said, picking up the original comic, the reprinted version of the
original in our Horror Book Volume 1 trade paperback collection
published by Image Comics or via digital download for your iphone/ipad
applications through iverse comics, www.iversecomics.com will add to the
flavor of the new series and give readers that want to collect it all
some satisfaction. Plus, the original is a great read and
horror/zombie/comics fans will enjoy it. You can also catch preview
pages of the One Shot on our official ’68 website, www.68zombie.com.

Nrama: And now that you’re back, set it up for us – what’s the new ’68
series about?

Kidwell: Opening at the same time as the original one-shot (Friday,
February 13th, 1968), the new series zooms the “camera” out, spreading
the story’s focus and allowing us to see more of the world as the dead
come back to life. First, we’re in Vietnam, focusing on a
Chinese-American soldier who, due to his size and similarity to the
enemy, gets drafted as a Tunnel Rat. Readers will crawl with him into a
tunnel complex turned tomb with nothing but a flashlight and a .45. We
have a deep cover CIA agent posing as a news crew director as he
accompanies a Hollywood starlet on her anti-war propaganda junket to
Cambodia. He has a secret ulterior motive for being there and we’ll
reveal the true nature of his situation throughout the series. In
addition, the story will introduce the soldiers of U.S. firebase Aries
as hordes of the living dead converge on the tiny camp, turning it into
a modern day Alamo, travel to California of 1968 for a Vietnam war
protest rally turned massacre and put you front and center as Saigon
burns.

There’s a lot going on in the series and all these stories will
intertwine and converge, telling a larger overall tale. We want to keep
the focus on characters and conflict while offering a much broader view
of the overwhelming effect of the zombie plague. Underlying all of this
is the concept that once this horrific situation gets going, time stops
and the calendars freeze. It’s 1968 forever, not just in Vietnam, but
everywhere. It’s sort of like re-writing history and the first
mini-series lays the groundwork for endless story possibilities to come.

Nrama: I know its hard for humans to survive in a zombie story, but are
there any characters carrying over from the previous one-shot? Or any
historical characters making an appearance?

Kidwell You’ll get glimpses of a few of the characters from the original
book in the new series and references to historically accurate people
and events of the times. Also, through Nat and Jay’s series of amazing
alternate covers, you’re gonna see snapshots of the late 1960’s through
the dark lens of a world caught in a nightmare. We’ve done our homework
in an effort to present an accurate, believable world for the story so
we could show the real 1968 before reaching in and tearing it apart.
Nrama: Zombies during the Vietnam war – that seems to be shape of it. Is
it just zombies on one side, or is everybody getting bitten?

Kidwell: Zombies in the Vietnam war was pretty much the overall concept
of the original one-shot. With the new story, we’re aiming at the time
period more so than just the war. The conflict in Southeast Asia in
still the main focus and you’ll see plenty of that, but what we really
want to get across is that this stuff is happening worldwide and no one
is safe as the hungry dead change the rules of existence overnight. As
you can imagine, this will result in zombie Viet Cong, NVA, US grunts
and officers, villagers, farmers, cops, hippies, politicians, and rock
stars...again, nobody is safe.
Nrama: Zombies are pretty much anarchy, but can one of the sides try to
use the outbreak to their advantage?

Kidwell: There’s a hint of that buried in our CIA agent’s true reason
for being “in-country”. Someone out there in the jungle has a plan to
swing the war in a certain direction and with the gruesome new addition
of the undead to the realm of physical reality, his plan goes in a whole
new, darker direction. It’s all pretty much “Top-Secret” right now, but
as the series continues in new story arcs, all of this will be revealed.

Fotos: You’ll see in Tim Vilgil’s shorts, especially in issue #1 titled
“Mouth of Babes” on how to use the outbreak to a advantage for sure!
Nrama: Tell us more about this work Tim’s doing for the book.

Kidwell: Each issue presents a full, twenty-two page story in ’68 series
continuity and as a backup feature, Tim is providing short, four page,
savage zombie tales to close each book. These stories help to “flesh”
out the world and move the “camera” around, allowing us startling little
glimpses of the undead uprising around the world. These are fast, mean,
punch-to-the-gut horror pieces similar to the old EC horror tales and
Tim is rockin’ ‘em.

Fotos: To further elaborate on the concept of bringing in Tim for these
“punch-to-the-gut” stories is not only to swing the camera around a
little but also ad to the chaos of what is going on. We are right in the
middle of one of the most brutal hand-to-hand combat wars ever. We are
bringing the perspective from every angle, like what Mark mentioned,
Viet Cong, NVA, US grunts and officers, villagers, farmers, cops,
hippies, politicians, and rock stars...it’s utter chaos on all fronts!

Tim Vigil: All of this is fun stuff! I haven’t been able to draw any war
stories before, so this gives me a chance to do some research on
uniforms and Viet landscapes. The small stories by Kidwell give me what
I like to do...draw blood and lots of it!
Nrama: Who else is chipping in on the series?

Kidwell: Since the world of ’68 is so broad, it gives us the opportunity
to create an ongoing series of books, mini-series and story arcs. With
this kind of flexibility, and a concept that any comic creator who loves
the zombie sub-genre would drool over, we’ve been able to corral some
major horror talent to work on expanded projects. Right now, horror
artist supreme Jeff Zornow is working on a deluxe one-shot book titled
’68 Hardship for us. It’s a look into the American heartland as a
Vietnam vet, fresh from his second tour in the war, returns home to a
world he no longer understands and no longer understands him. It’s a
gritty, gory book with a lot of reality and heart at its core.

Jeff Zornow: ’68 Hardship has a great, grim atmosphere to it. Zombies in
a backwoods farm, you can't beat that. Fans of my work can pretty much
guess as to what to expect when Kidwell and I team up with zombies. And
for the un-initiated, this book's visuals will rip out your eyes and
disembowel you! This will be a gory gift for any Horror or Zombie fan!

Kidwell: Then, I just completed a new script and handed it off to
powerhouse illustrators Jerry Beck and Josh Medors for a book called ’68
Hallowed Ground. It’s a split-book, with each artist illustrating a
twelve page, connected story that centers on a small country church. The
stories move along in the same time stream, with each separate tale
showing us events as they unravel from the viewpoint of a sniper in the
bell tower and a handful of embattled survivors in the sanctuary.

Jerry Beck: Well, Jay Fotos and I have collaborated on things, here and
there, for around 10 years now, so when Jay threw this opportunity at me
it was a no-brainer. I hadn't delved into comic book work much as of
late, but a zombie tale always gets my attention. Furthermore, a story
that I could actually customize in terms of its general direction made
this even more interesting! I'm very busy these days and I don't think
I'd have done it if they'd asked me to do it entirely on my own, so
having Josh Medors on board was a great thing. In the blink of an eye,
Kidwell came up with a bad-ass script that allowed for two simultaneous
stories to be told, ultimately tying into each other. Everyone involved
in these books are very dedicated and talented, so I'm amp'd to be a
part of the '68 crew.

Kidwell: As the ’68 world builds and broadens, we’ll have more
announcements involving new, talented art teams. The sky’s the limit
with this series and we have big, long-range plans.

Fotos: To continue was natural, too many great ideas were pouring out
and more keep coming! ’68 will be around for a while and we hope the
fans join us for the ride.

Nrama: And finally guys, I have to ask about the concept -- what made
you bring zombies to Vietnam in the first place?
Kidwell: It’s a no-brainer, really. The original Night of the Living
Dead was shot in 1968, forever giving us an exact timeline to the rise
of the cannibalistic undead. If the zombies started doing their “zombie”
thing in rural Pennsylvania at that time, what was going on in the rest
of the world? VIETNAM. What would that have been like, with the
battlefields, jungles and rice paddies littered with un-buried war
casualties and the body count continuing to rise every hour? Would there
be a limit to the numbers of the risen dead? Would the situation be out
of control in the first hours? Would anybody get out alive? These were
questions nobody had ever answered before, so we decided to find answers
for ourselves. Read ’68 and you’ll get ‘em answered too.

--
http://www.newsarama.com/comics/exclusive-image-zombies-68-110201.html
Via InstaFetch

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