Burroughs documentary a straight shooter

“William S. Burroughs: A Man Within”: B-

In 1951, at age 27 (he lived to be 83), William Seward Burroughs put a
bullet through the forehead of his wife, Joan Vollmer, during a drunken
game of William Tell in Mexico.

Performance artist and musician Laurie Anderson comments that Burroughs,
author of seminal works “Junky” and “Queer” and a lifelong, avid gun
collector and fetishist, must have been constantly reminded of his
wife’s death, for which he was never charged.

“Death Smells,” we hear Burroughs intoning in his distinctive croak of a
monotone at the beginning of Yony Leyser’s affectionate but not deeply
probing – nor nearly long enough – documentary. It looks at the life of
the novelist and proto-Beat poet (his great unrequited love was Allen
Ginsberg, who died three months before him in 1997 and whom he’s shown
conversing with in archival footage).

“I mean it has a special smell, over and above the smell of cyanide,
carrion, blood, cordite or burnt flesh,” he drones on, quoting from his
novel “Cities of the Red Night.”

Actor Peter Weller, who portrayed Bill Lee, a fictionalized version of
the author in director David Cronenberg’s terrific adaptation of
Burroughs’ novel “Naked Lunch,” both sparsely narrates and appears as
one of the many interview subjects, though none of what he has to say
carries as much entertaining insight as the words of filmmaker and gay
icon John Waters, who ends Leyser’s film on a hilarious, impassioned
note, nominating Burroughs for sainthood.

Godmother of punk Patti Smith describes her crush on the writer who was
present during New York’s punk music explosion of the 1970s, as she
marvels at the many phrases he coined, such as “heavy metal” and “blade
runner.”

Other interview subjects include Cronenberg, gender-bending musician

performer Genesis Breyer P-Orridge, Iggy Pop and longtime companion
James Grauerholz, who lived out Burroughs’ final, shotgun-wielding years
with him in Kansas, and who offers a less idolizing, though nevertheless
loving take.

Still, Burroughs is his own harshest critic. Acknowledging that he would
never have become a writer if not for the death of his wife, the final
journal entry of a man who always struggled with addictions reads:
“Love? What is it? Most natural painkiller what there is.”

(“William S. Burroughs: A Man Within” contains talk of drug use and
homosexuality.) Not rated. At the Brattle Theatre.

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http://www.bostonherald.com/entertainment/movies/reviews/view/20110204burroughs_documentary_a_straight_shooter/srvc=home&position=recent
Via InstaFetch

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