Movie review: 'Phil Ochs: There But for Fortune'
by Kenneth Tur, latimes.com
March 4th 2011
Phil Ochs in 1963. )
The short and tragic life of Phil Ochs is as involving as the music he wrote
and played, and that is saying a great deal.
If you remember the 1960s, you more than likely remember the singer-songwriter
who composed hundreds of songs, many of them, as can be heard on the strong and
forceful documentary "Phil Ochs: There But for Fortune," beautiful and melodic
as well as pointedly political.
It was Ochs who wrote "I Ain't Marching Anymore," sometimes called the anthem
of the anti-Vietnam War movement. He wrote the song, memorably covered by Joan
Baez, which gives the film its subtitle. He wrote "Small Circle of Friends,"
"When I'm Gone," "Talking Vietnam" and others.
But though his songs railed against society's unfairness and could be, as
fellow musician Van Dyke Parks puts it, "filled with rage," his life was not
one-dimensional and certainly not simple. As directed by Kenneth Bowser, "Phil
Ochs" takes us to the darker side of the singer-songwriter movement, to
situations and personalities that led to Ochs committing suicide in 1976 at the
terribly young age of 35.
Political liberalism was not necessarily the handsome and charismatic Ochs'
birthright. He went to high school at a military academy, and it wasn't until
he met his college roommate, fellow musician Jim Glover, that he discovered the
music of Woody Guthrie, Pete Seeger and the Weavers that was to inspire him.
But though Ochs' passion for peace and justice was sincere, that idealism,
friends and family say, co-existed uneasily with careerism. He wanted to be
celebrated; he wanted very much to be a star.
More than that, Ochs, an admirer since childhood of Hollywood icons like John
Wayne and Gary Cooper, saw himself as potentially in the same mold. He not only
wanted to effect change, he wanted to be, says his daughter Meegan, "a hero who
saved the country."
That goal was certainly on Ochs' mind when he came to New York's Greenwich
Village in the early 1960s, where he mixed with colleagues like Dave Van Ronk,
Eric Andersen and Tim Hardin.
In a much more problematic relationship, he also met and became competitive
with a young man named Bob Dylan. Friends interviewed say while Ochs idolized
the other man, Dylan for his part toyed with Ochs psychologically and didn't
hesitate to criticize him for concentrating on writing songs that were
political as opposed to personal.
Initially things went well for Ochs. He got recording contracts and even sold
out Carnegie Hall in 1966. But when he moved to California and began expanding
his musical horizons — the album "Pleasures of the Harbor" was one result — his
fans were not always with him.
Also difficult was the political situation in the late '60s, as the Vietnam War
dragged on and political leaders Robert F. Kennedy and Martin Luther King were
assassinated, deaths that a disillusioned Ochs, who apparently had bipolar
tendencies, took very hard.
Worse was yet to come. Ochs was mugged on a tour of Africa and had his vocal
cords permanently injured. Then close friend the Chilean singer Victor Jara was
tortured and murdered in the aftermath of the coup that deposed Salvador
Allende. All of this combined with increasingly heavy drinking to unhinge Ochs
in a way that is painfully obvious in footage of his last days.
Ochs' suicide devastated everyone who knew him and continues to resonate
powerfully. This thoughtful, probing documentary closes with Van Ronk singing
"He Was a Friend of Mine" at an Ochs memorial concert. It must have put people
away at the time, and, like much of Ochs' own music, it still does today.
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Original Page:
http://www.latimes.com/entertainment/news/la-et-phil-ochs-20110304,0,3282639.story
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