On DVD - Che: Parts One & Two

                                indiemoviesonline.com | Nov 8th 2009            
                                                                                
                                                                 

A two-part epic about the world’s most famous revolutionary was always going to 
prove a challenge. Cara Frost-Sharratt asks if Steven Soderbergh got it right.

To some people, Che Guevara will always be the man who shifted a thousand 
t-shirts. The ubiquitous pop art image of a bearded and beret-wearing Che has 
been plastered across the chests of students for decades. As hash smoke swirled 
around his poster in hippy households and his image was adopted by the 
cover-all cause of anti-establishmentarianism, he became one of the most iconic 
figures of modern history. However, while his face was instantly recognisable, 
most people only had a loose grasp of his back-story.

Steven Soderbergh’s ambitious two-part epic attempts to redress the balance 
between recognition and knowledge, providing an in-depth portrait of the man 
behind the Cuban cigars: his motivations, his achievements and his failings. 
Tellingly, the alternative title to the first installment of the film is The 
Argentine, and this immediately dispels the belief of any half-hearted Che 
sympathisers who automatically assumed that, having led the Cuban revolution, 
Ernesto ‘Che’ Guevara was Cuban. This vital fact actually offers the viewer a 
huge amount of information in terms of dissecting the complex character of the 
film’s namesake. His core tenet existed outside the realms of patriotism or 
infamy and his die-hard communist motives were deeply embedded in his psyche. 
He considered himself a citizen of the world and, as such, could use his 
extraordinary leadership skills and dogged determination to rally the war cries 
of the proletariat against the dictatorships that sought to oppress them.

Che: Part One details the Cuban revolution that he led and the jungle mainstay 
is inter-cut with subsequent interviews with the lieutenant. This storytelling 
decision and the nature of the switch between colour and black and white helps 
to establish and delineate the two distinct sides of Che’s character. This is 
where Soderbergh has triumphed, as there is absolutely no question as to Che’s 
credentials. He appears equally at home in a banquet as he does on the 
battlefield and it’s an easy transition from leader to schmoozer as he garners 
support for his successful, post-revolution mission in New York. Although 
necessarily glamorous in his portrayal of Guevara, Soderbergh never shies away 
from the darker side of the revolutionary’s character. We see his own men 
suffer from his exacting notions of justice and retribution: executions are 
carried out with clinical formality. His physical flaws are also driven to the 
fore, as he battles throughout with chronic asthma, a condition that festers 
and worsens in the basic jungle conditions.

The big question that needs to be asked about Che: Part One is whether 
condensing events could have negated the need for a second part. Although 
undoubtedly large in scope and in terms of the story it portrays, this is still 
only a small section of a far larger tableau and, as such, there isn’t a point 
at which you can feel entirely satisfied with the film. The moments of 
barbarity and humanity are interlaced with what is largely mundanity, as 
fighters live, train and engage in combat in inhospitable conditions. The pace 
of the film is more languid than a stoned snail in a 100-metre sprint and 
there’s a luxurious use of time. As yet another jungle scene rolled slowly to 
its conclusion, I couldn’t help thinking that the editing room floor was 
probably a little light on cuttings with a hefty four hours to fill.

Che: Part Two
Although Che: Part Two takes up the baton of the first film, there’s a distinct 
interval in terms of both time and historical context. We’re dropped into the 
centre of La Paz as Che Guevara makes an audacious undercover entrance into 
Bolivia to kick-start the revolution. There are subtle nods to the thrillers of 
the sixties, with stylish, dialogue-free shots that quickly bring us up to 
speed with events. Indeed, dialogue is superfluous when Bolivia is the 
backdrop. A crazy conglomeration of desolate jungle and desert scapes nuzzled 
up to the insanity of La Paz, Bolivia is surely one of the biggest psychedelic 
trips available to mankind without the aid of mind-altering drugs.

However, once ensconced in his latest jungle surroundings, the pace once again 
tails off and the film resumes its characteristic, slow rhythm. Benicio del 
Toro gets under the skin of the rebel leader of the revolution as problems 
mount. Che continues to suffer from asthma and the harsh existence of the 
revolutionary fighter begins to take its toll. From the outset, the raw and 
vital exuberance of the Cuban revolution is missing from his latest crusade and 
there’s a sense of the hero living up to his reputation and following his 
chosen path of righteousness, rather than assessing the situation as an armed 
fighter and strategic military planner.

You can essentially sit back and allow this film to wash over you. Although 
absorbing and engaging, there’s never any chance of being wrenched from your 
seat and pulled headfirst into the action.

There’s preparation for the inevitable conclusion to this overthrow attempt and 
it seems implausible that the sick Che Guevara should continue in his pursuit 
of the revolutionary dream. Morale is low amongst the fighters, food is scarce 
and the mood is a far cry from the war cries of the first film. It is, however, 
important to see the results of this bungled operation in order to appreciate 
the huge impact that this figure has had on the history books. Buoyed by his 
initial success, it’s no great surprise that a man of his beliefs – both 
politically and with regards to his own capabilities – should try to repeat the 
revolution on Bolivian soil. It’s also no surprise that his dogged refusal to 
admit defeat led to him continuing with the enterprise when it was clearly 
doomed.

Rating on a scale of 5 riled revolutionaries: 3

Release date: Out now
Directed by: Steven Soderbergh
Written by: Peter Buchman and Benjamin A. van der Veen
Cast: Benicio del Toro, Demian Bichir, Carlos Bardem
Rating: 15
Running time: Part One: 134 mins, Part Two: 135 minutes

                                                                                
                                                                                
                                                        

Original Page: http://www.indiemoviesonline.com/reviews/Che-Parts-One-and-Two

Shared from Read It Later

-- 
You received this message because you are subscribed to the Google Groups 
"Sixties-L" group.
To post to this group, send email to [email protected].
To unsubscribe from this group, send email to 
[email protected].
For more options, visit this group at 
http://groups.google.com/group/sixties-l?hl=en.

Reply via email to