Lower East Side Artist, Ira Cohen: 1935-2011

                                by TheFreeAdviceMan, jewcy.com
April 28th 2011                                                                 
                                                                                
                                                                                
                                                                                
                                                         

This past Monday a most thought-provoking and remarkable poet and visual 
artist, one of the last few greats of the Lower East Side Avant-Garde 60s 
Beatnik scene, quietly sneaked out–by the back door–of the great theater of 
life.

Ira Cohen, raised in the Bronx by his deaf parents, was 26 when he did a very 
daring thing; he boarded a Yugoslavian freighter heading for Tangier, Morocco 
in 1961. At the time Tangier had become the ultimate place for non-conformist 
writers, including many American Beat Generation writers, poets and artists. It 
was where William S. Burroughs was inspired to write his “Naked Lunch”; a book 
even more controversial than “Catcher in The Rye”. Cohen was eager to get 
inspired and spent the next four years there, where he published the exorcism 
magazine GNAOUA, which featured Beat Generation Poetry, introducing such greats 
as William S. Burroughs, Brion Gysin, Harold Norse, Jack Smith, Irving 
Rosenthal, among others. And he produced a recording of Dervish trance music, 
recorded by Paul Bowles, titled Jilala. He also published under the alter-ego 
pen-name Panama Rose.

Before returning to New York City in the mid-1960s he lived in the Costa del 
Sol, Spain and went on to spend some time in Paris and London.

Back home he began to evolve a new form of visual art which he created using 
what he called “mylar images” using bendable mylar mirrors, billing himself as 
a “mythographer”. These involved creating a somewhat psychedelic 
translucent-like colour-filtered alterations of the photographic images of 
people, including Jazz musician John McLaughlin, his friend William S. 
Burroughs, and the legendary Jimi Hendrix. Ira’s works reflected his own 
shamanistic, spiritual and tantric explorations.

In 1968 he directed an Avant-Garde film titled Invasion of Thunderbolt Pagoda, 
inspired by the works of Sergei Parajarov and Kenneth Anger. He also produced a 
film on the experimental theatre Living Theatre’s historic tour of America: 
Paradise Now.

In the 1970s he left his ‘Mylar Chamber’ in New York and headed off to The 
Himalayas, and after many months travel, stopping over in Morocco, Tunisia, 
Afghanistan and India, accompanied by Petra Vogt, the two arrived in Kathmandu 
(Nepal), where he began to write his “Starstream” poetry series and publish 
these and the works of other poets, such as Charles Henri Ford, Paul Bowles and 
Gregory Corso. Not only were the poems great, but so was the way Ira printed 
these books, using traditional rice paper and wood block printing, Tibetan and 
Indian style, techniques taught to him by the local craftsmen.

In 1972 he spent almost a whole year reading his poetry and doing 
improvisational performances in the wilder venues of San Francisco.  After 
that he returned to New York for a series of exhibitions of his photography and 
photographic art-works.

By the 1980s he was on his way to Ethiopia, Japan and India. And it was then 
that he documented in video the Kumbh Mela Festival, a Hindu tradition dating 
back millennia, which is not only the largest gathering of spiritual Yogis, 
Shamans and Fakirs in the World, but the largest cyclical gathering of people 
on Earth, bar none.

During the 1990s and 2000s Ira not only had his poems published, but he became 
a contributing editor for Third Rail Magazine, a prestigious international arts 
and ligature review based in Los Angeles, California. In 1994 Sub Rosa Records 
released his first CD titled The Majoon Traveller, readings of his poems, 
edited by Cheb I Sabbah with assorted musical bits by Lights In A Fat City 
trio, Kenneth Newby, Eddy Sayer and Stephen Kent, Angus MacLise and The Tribal 
Orchestra quatro with Angus MacLise, Loren Standlee, Hetty MacLise, Raja 
Samyanna, as well as Ziska Baum, Don Cherry, Ed Blackwell, Ornette Coleman, 
Robert Palmer and The Master Musicians of Jajouka.

He was a staunch critic of Reactionary politics, and spoke out against War and 
Socio-Economic exploitation. He was a most eccentric individual who will be 
missed by quite a few of the world’s most creative people!

And I only met knew him briefly; when he was my guest at my apartment in 
Budapest in the Winter of 1998. Two eccentric Philosopher-Poets and a couple of 
mice!

If you would like to read a Poem I wrote in Tribute to Ira, you may do so by 
going to my website.  The poem will be put to music and visual art here.

(Photo of Ira Cohen by Gerard Malanga)

                                                                                
                                                                                
                                                                                
                                                        

Original Page: http://www.jewcy.com/arts-and-culture/ira_cohen-rip%3E

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