THEATER / Jonah Raskin : The 'Reborning' of Zayd Dohrn

                                theragblog.blogspot.com | May 16th 2011         
                                                                                
                                                                         
The Reborning of Zayd Dohrn:

A fascinating piece of theater from the son of Bernardine Dohrn and Bill Ayers 
that speaks to our time now and where we've come from as a society...

By Jonah Raskin / The Rag Blog / May 16, 2011

SAN FRANCISCO -- What do you do if you’re a young, rising playwright and you’re 
the son of Bernadine Dohrn and Bill Ayers? You write plays about parents and 
children and about parenting.

That’s what Zayd Dohrn, the oldest of three sons raised by Dohrn and Ayers, has 
done in his one-act play Reborning, which is on stage off, off, off Broadway at 
the San Francisco Playhouse.

If you don’t live in the city or nearby it might be long way to go to see a 
75-minute play that races along, but if you can go in the next month or so it’s 
a fascinating piece of theater that speaks to our time now, and that also shows 
where we’ve come from as a society.

Part comedy, part tragedy, Reborning mixes satire with real pathos, and makes 
for laughter and for tears. The play features only three characters: a young 
woman who has been abandoned by her mother; an older woman who has lost a baby 
and wants a replacement; and a young man who brings them together tenderly in a 
kind of family.

The older woman might in fact be the biological mother of the younger woman, 
but the play leaves the relationships ambiguous, as though to say that we can 
choose or not choose our parents and our children, and make the families we 
want to make.

The narratives we tell ourselves and one another are all-important. Nothing is 
fixed or unalterable in Zayd Dorhn’s world and everything is possible. Secrets 
come to light, the past is peeled away, and scars are healed almost overnight.

It’s tempting to read Reborning as an autobiographical work, and there’s no 
doubt that Zayd Dorhn drew upon his own emotional crosscurrents to write his 
play. Growing up an underground kid with fugitive parents wanted by the FBI 
gave him plenty of sensational material and dramatic, real life characters to 
mirror.

Still, his characters aren’t copies of his parents or their contemporaries. 
Unlike them, his fictional people are pulled to art rather than to ideology, 
and express themselves in creative work rather than in political struggle.

Reborning takes theatergoers through a kind of emotional hell that includes 
dumpsters, death, and denial, but it’s a therapeutic work that ends on a note 
of reconciliation. The characters clash with one another; they shout and they 
argue, but they don’t hit, shoot, and bomb, and the play offers no big blow-up.

The final scene is an unclimactic kind of climax, but nonetheless genuinely 
heartfelt. It reflects a world in which mistakes are unmade, and seemingly 
irreconcilable differences are resolved peacefully.

The tensions between the two women -- the mother/daughter figures -- drive the 
play, but it’s the male character who brings them together. He’s also the 
comedian of the piece and he supplies the sexual energy that can be as funny as 
it is steamy.

In the first scene of the play, he walks around on stage holding a huge phallus 
in his hand and that irreverent image sets the tone for much of the play. Could 
the male character be inspired by his father and could the women be inspired by 
his mother? Maybe so.

Zayd Dohrn was in the audience the evening Reborning had its premier in San 
Francisco -- the celebrity in the crowd. His parents were in the audience, too, 
though no one seemed to recognize them. They might still have been anonymous 
underground fugitives out on the town for the evening, not the infamous 
Dohrn-Ayers duo in the media at the time of Obama's election.

Like many of the sons and daughters of former Weather Underground fugitives, 
Zayd Dohrn has come of age, and put the underground behind him. “Reborning” 
seems an apt metaphor for his own evolution as a playwright who dramatizes the 
theater of the human heart.

[Jonah Raskin is the author of For the Hell of It: The Life and Times of Abbie 
Hoffman, and teaches media at Sonoma State University. Read more articles by 
Jonah Raskin on The Rag Blog.]

The Rag Blog

                                                                                
                                                                                
                                                        

Original Page: 
http://theragblog.blogspot.com/2011/05/theater-jonah-raskin-reborning-of-zayd.html

Shared from Read It Later

-- 
You received this message because you are subscribed to the Google Groups 
"Sixties-L" group.
To post to this group, send email to [email protected].
To unsubscribe from this group, send email to 
[email protected].
For more options, visit this group at 
http://groups.google.com/group/sixties-l?hl=en.

Reply via email to