An insightful look at '60s Civil War centennial 
http://www.charlotteobserver.com/2011/09/25/2633642/an-insightful-look-at-60s-civil.html
 
A Yale historian sheds light on our own time by looking back at the Cold War, 
civil rights and the romanticizing of an earlier war 

By John David Smith 

Correspondent 
Posted: Sunday, Sep. 25, 2011 




In his 1961 masterpiece "The Legacy of the Civil War," Robert Penn Warren 
declared, "The Civil War is, for the American imagination, the great single 
event of our history." Writing during the Civil War centennial, when Americans 
were abuzz with nostalgic tales of the mutual valor of the Blue and Gray, 
Warren reminded Americans that the "Civil War draws us as an oracle, darkly 
unriddled and portentous, of personal, as well as national, fate." 

David W. Blight's richly interpretive "American Oracle" contextualizes the 
sentimentalized celebration of the Civil War in the early 1960s within the 
tense realities of the civil rights era and the Cold War. Blight, a Yale 
University historian, unravels the complexities of Civil War memory and meaning 
at a time when most white Americans considered restoration of the Union, not 
emancipation, as the war's grand result. 

Blight penetrates the constellation of 1960s-era Civil War remembrance and 
reality. In these years, the Civil War centennial and the civil rights movement 
existed "on different planets orbiting different suns. Other times the two 
planets veered off course and collided." As Americans watched civil rights 
marchers on television being clubbed by police in Birmingham, Ala., they 
celebrated the war as America's national epic and denied slavery's centrality 
to the conflict. 

To gauge understandings of the Civil War epoch during the centennial era, 
Blight examines works of four of America's foremost writers - Warren, Bruce 
Catton, Edmund Wilson and James Baldwin. "Each," according to Blight, "had a 
compelling sense of history and was in his own way engaged in an unending quest 
to know the purpose of the past in life and art." 

Warren (1905-1989) abhorred myths and underscored redemptive tragedy. Holding 
North and South equally responsible for the war, he exposed weaknesses in both 
the "Treasury of Virtue" (Northerners' self-serving definition as noble 
victors) and the "Great Alibi" (Southerners' Lost Cause justification for the 
war and its consequences) arguments. Rejecting a triumphal interpretation of 
the war, Warren branded it "a crime of monstrous inhumanity, into which almost 
innocently men stumbled." This, according to Blight, was "Warren's riff on the 
Civil Rights revolution as a crisis in motion." 

Author of "Stillness at Appomattox" (1953) and other books, Catton (1899-1978) 
was his day's most popular Civil War historian. He considered the war a 
catharsis that shaped a greater America. "Catton," Blight explains, "wrote a 
beguiling, enjoyable military history," that endorsed the "Confederate Legend." 
Thanks to Catton, generations of Civil War buffs "came to 'love' the Civil War 
in an age when war, with its unfathomable destructiveness, was no longer 
lovable." 

Wilson (1895-1972), a legendary cynic and iconoclast, wrote "Patriotic Gore" 
(1962), a monumental literary history of the Civil War era. Though vehemently 
antiwar, Wilson nevertheless found intriguing the war's influence on history, 
human values and literature. He roundly condemned Gilded Age materialism as the 
bitterest fruit of Union victory. Blight observes that Wilson's book "sounded 
the depths of those irresistible myths that have compelled Americans to make 
fierce claims of the past, even as they repeat its sins." 

In "The Fire Next Time" (1963) Baldwin (1924-1987), an African-American, 
unveiled what he considered the virulent racism that infected white Americans 
generally and the fatuous Civil War centennial specifically. He demanded an 
alternative history identifying slavery as the war's cause and residual racism 
as its foremost legacy. "Baldwin's Civil War," Blight surmises, "was a deeply 
internal battle against the fear and rejection caused by racism, homophobia, 
and ... America's mythic sense of its own invulnerable, self-righteous, 
unexamined or even unknown history." 

Blight's insightful "American Oracle" thus brings to mind the striking degree 
to which the centennial of 1961-1965, "like many pivotal moments in history, 
seem both oddly remote and disturbingly current." 

. 

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