Bob~ See this? ~Hal~

--- On Fri, 6/26/09, Michael A. Hoffman II <[email protected]> wrote:

From: Michael A. Hoffman II <[email protected]>
Subject: Mich'l Jackson: Whiteface Alchemist
To: [email protected]
Date: Friday, June 26, 2009, 12:38 PM

The Hoffman Wire
Dedicated to Freedom of the Press, Investigative Reporting and Revisionist 
History

Subscribe: [email protected]
Michael A. Hoffman II: Editor. RevisionistHistory.org

***

MICHAEL JACKSON: WHITEFACE STAR OF THE ALCHEMICAL MINSTREL SHOW

by Michael Hoffman | June 26, 2009
http://revisionistreview.blogspot.com/2009/06/michael-jackson-whiteface-star-of.html


We pause in our round-the-clock defamation of Iran to bring you, Michael 
Jackson.

Our Zionist-controlled media have temporarily shifted from hysterical 
denunciation of Iran to pious genuflection before the altar of an 
androgyne.

To the extent that Iran has been demonized, Mr. Jackson is being 
canonized -- as "the" iconic American entertainer. How strange and at 
the same time, revelatory. 

No white actor may wear blackface today, but Mr. Jackson --who reputedly 
was once a Black man- -wore permanent whiteface thanks to modern surgery 
and chemicals. His  visage was reportedly collapsing faster than his 
finances. Where are the photos? Why the coverup?

I don't lament the demise of blackface "entertainment" by white 
performers, for, as William N. Grimstad documents in his classic work, 
"Talk About Hate," the lowbrow shtick of vaudeville and movie "coon 
song" blackface was a Judaic art-form perfected by Sophie Kalish 
("Sophie Tucker" the "World-renowned coon-shouter"), Asa Yoelson ("Al 
Jolson"), Edward Israel Iskowitz ("Eddie Cantor") and Joe Yule ("Mickey 
Rooney"), promoted by moguls like Louis Lazar ("Louis B. Mayer") and Max 
Aronson ("Bronco Billy Anderson"), and such early Zionist movie studios 
as Selig Polyscope. 

Jackson was a mirror image of this degraded process, only instead of 
white greasepaint he resorted to permanent bleach. Was he a Black 
impersonation of a White transvestite? Or was his alchemy an elaborate 
fantasy-in-life --a  desire to deceive himself into thinking he had 
actually become a kind of public White aristocrat? In the midst of the 
idolatry that has followed his death, no one seems to be asking these 
questions, even as Jackson is portrayed as the focus of the adulation of 
Blacks the world over. If that's the case, one can only conclude that 
most Blacks wish they were White. Yet that conclusion seems dubious, to 
say the least. 

Jackson was the first race-change personality on the world stage. Sad to 
say, he was sick physically, mentally and spiritually. From his 
dalliances with young boys to his occult persona as "Captain Eo," he was 
the exoteric manifestation of the esoteric putrefaction exuded by a 
rootless, soulless, deracinated and boastful capitalist System, which 
demands that conservative nations like Iran follow its degenerate 
example or face media-generated hate and if all else fails, Israeli 
bombs.

The same talking head moralists who saw little but wretched evil in the 
Muslim Iranian government, adore Jackson as if he were the Second 
Coming. It is even said that Mr. Jackson was "The voice of America." 
Jackson as ambassador and voice of the USA? Perhaps in this 21 century, 
but not in the preceding one; that distinction is still held by the 
classically educated Harry Lillis "Bing" Crosby, who sold more records 
than Elvis and the Beatles combined, was a star of radio and movies, 
winner of the Academy Award, and a culture-bearer, not a 
culture-distorter.

Jackson is not fit to shine Crosby's  golf clubs and I say that not 
because Jackson was a once and future African-American hermaphrodite and 
pederast in whiteface. Crosby promoted talented Black singers and 
entertainers throughout his career, and rightly so. Satchmo and Nat 
would have rushed Jackson to the nearest priest or shrink and pitied and 
prayed for him along the way. 

Today Jackson is the god of the 
Chamber-of-Commerce-dump-for-cheap-labor-Chinese-junk, otherwise known 
as the USA. Jackson symbolizes the "joys" of our "capitalist way of 
life": the freedom to scarf hormonally-enhanced chicken at KFC while 
watching your ten-year-old daughter have her childhood stolen by Hannah 
Montana and "Madonna."

Way out here in the boonies of north Idaho, where this writer makes his 
home, it's not exactly Norman Rockwell country anymore. As Brer Rabbitt 
said when asked if he knew of a place so far away there was no trouble, 
"There ain't no place that far away." Idaho certainly has its share of 
modern troubles. But many of the people of Idaho are committed 
nonetheless to reviving the America of old that God once shed His grace 
upon, and the sudden reanimation of the Michael Jackson circus strikes 
us as perverted and delusional.

If Jackson is the face of America, then America no longer exists, except 
in places like Idaho and Montana --while New York and Hollywood bear the 
same relation to America that Michael Jackson's collapsing nose and 
bleached skin do to the proud Black men and women he insulted with his 
mission of becoming the leopard that can change his spots and the 
Ethiopian who can change his skin.

But let us not feel smug or superior. We live in a scientific era where 
cloned meat and genetically-altered corn are fed to our children; where 
"pro-life" Republicans massacre Muslim and Arab civilians; where the 
worst ideas are touted as the best ideas; where heads is tails. In such 
a mixmaster milieu, why wouldn't Black be White, and male be a simulacra 
of female, and Michael Jackson the king of American culture and the star 
of the alchemical minstrel show that has become a religion for the 
masses?

Copyright©2009 RevisionistHistory.org

Hoffman is a former reporter for the Associated Press and the author of 
"Judaism Discovered," a book banned by Amazon.com

>>>

The HOFFMAN WIRE is a public service of Independent History and Research, Box 
849, Coeur d'Alene, Idaho 83816 USA 

24 Hour Revisionist News Bureau: 
http://www.revisionisthistory.org/page1/news.html
Subscribe:  [email protected]

Disclaimer: The Hoffman Wire is a controversial and politically incorrect 
e-mail letter intended only for those who have requested it.  We have a strict 
anti-spamming policy. The views expressed in the Hoffman Wire are the sole 
responsibility of the author(s) and do not reflect the views of advertisers or 
the transmitter. 

Freedom of the Press: A hallowed right.
Responsible Dissent: A contribution to understanding and dialogue.
--^----------------------------------------------------------------
This email was sent to: [email protected]

EASY UNSUBSCRIBE click here: http://topica.com/u/?a2iTuc.a42Kjf.aGd3YXJ0
Or send an email to: [email protected]

For Topica's complete suite of email marketing solutions visit:
http://www.topica.com/?p=TEXFOOTER
--^----------------------------------------------------------------




      

Reply via email to