In my way of thinking remote is remote, either you are physically present or are remote and where doesn't really matter.
But I'm not the client, just a freelancer myself. I'll certainly pass along the name of any artist you think is good, and we can let the producer types decide who they hire. :) On Wed, Dec 5, 2012 at 11:39 AM, Sandy Sutherland < [email protected]> wrote: > Hi Andy - you interested in remote from Cape Town, South africa - or is > that too far? Might know of someone here. > > S. > > * * > Sandy Sutherland <[email protected]> | Technical > Supervisor > <http://triggerfish.co.za/en> > <http://www.facebook.com/triggerfishanimation> > <http://www.twitter.com/triggerfishza> > ------------------------------ > *From:* [email protected] [ > [email protected]] on behalf of Andy Moorer [ > [email protected]] > *Sent:* 05 December 2012 20:45 > *To:* [email protected] > *Subject:* strands-heavy commercial gig, LA area > > Hi gang... ANOTHER strands-based VFX gig, a good studio with a Nike > commercial (or several actually) in the LA area needs ICE guys. About 5 > weeks in January. > > Anyone out there, looking? Remote is a possibility. Reasonably complex > stuff, you'll need to be comfortable with custom ICE dev and strands in > particular. This is a particularly nice project and I'll probably sign on > myself, but it'll need a couple of guys at least. > > I'm getting so much call for ICE freelancers in the LA area, as well as > New York.... it's not funny. I seem to have ended up on some critical mass > of rolodexes, and I'm turning down work every week. > > Worse, most of these studios end up giving up on using ICE simply for lack > of people. > > So if you're in these areas, or if you do remote contracts, contact me, > please! There's more work here than people available by a wide margin... I > hate not even having names to give clients, and to have to suggest they > shift to houdini just so they can fill seats. > >
