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From: mile nikolic 
To: Mile 
Sent: Sunday, September 23, 2007 1:38 AM
Subject: Fw: LATimes: Belgrade: A capital city springs to life in Serbia





http://travel.latimes.com/articles/la-tr-belgrade23sep23


Belgrade: A capital city springs to life in Serbia
The city's past is visible in bombed-out buildings left unrepaired, but the 
vibe is hip, not tragic, and travelers are trickling back.

By Michael Levitin, Special to The Los Angeles Times
September 18, 2007 



Belgrade, Serbia

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Belgrade, Serbia

It's Saturday night and I'm pressed against a crowd of singing, swaying, 
Champagne- and cocktail-toting Serbs outside one of the nightclubs on 
Strahinjica Bana, a street in the hip Dorcol district. A rock concert echoes up 
the hill, convertibles are thumping past, and the buzz feels more like Berlin, 
London or Barcelona than a war-torn capital in the Balkans.

But raucous nights like these are normal in the hard-partying resurrected city 
that is Belgrade.

"So many clubs have opened in the last few years," said Vladimir, a guy 
standing in the crowd. "Now you can go anywhere and do anything. A lot has 
changed since Oct. 5."

He meant Oct. 5, 2000, the day masses of nonviolent protesters assembled 
outside Belgrade's Parliament and ousted Slobodan Milosevic from power, 
replacing him with a democratic, Western-backed government. The country has 
been on an upward trajectory ever since.

Strahinjica Bana, along with other hopping nightspots like it, has become a 
symbol of the resurgent capital. With an international theater festival this 
month and the renowned Belgrade Jazz Festival in October, Belgrade is 
reinventing itself as a fresh, dynamic cultural destination in Europe. That's 
one reason -- after a decade of bloody Balkan wars and NATO's 78-day 
bombardment of the city in 1999 -- travelers are starting to trickle back in. 
About 280,000 visited last year, more than triple the number since 2000.

I came here in spring, after dealing with crowds in Croatia, because I wanted 
to see a city that so far has been spared the tourist-catering atmosphere.

Today's news reports from Serbia (and the Balkans generally) focus almost 
exclusively on two things: Belgrade's lagging efforts to capture and extradite 
its war criminals and the country's stubborn, even militant refusal to grant 
Kosovo independence. With 20% unemployment, an economy battered by sanctions 
and the nation considered a pariah by the West, these weren't exactly touristic 
waters.

A MORE OPEN FUTURE

It was a bright morning as I carried my pack up one of the steep, winding 
streets that led away from the bus depot and followed signs pointing toward the 
Old Bohemian Quarter. Construction workers of various-looking nationalities 
were shouting over a racket of jackhammers. Old-fashioned bakeries and shops 
overflowed with customers. At the top of the hill, elegantly dressed patrons 
sat at cafe tables on the sidewalk of a gritty boulevard, opposite a 
McDonald's, which seemed to confirm I had landed someplace between a classical, 
enlightened Europe and a post-Soviet consumer blitz.

Belgrade has always been engaged in a volatile tug-of-war between East and 
West. Built on a hill overlooking the confluence of the Danube and Sava rivers, 
the "White City" stood as an enduring, strategic crossroads separating Europe 
from what lay beyond it. Thracians from the southeast Balkan peninsula, Celts 
from Northern and Central Europe and Romans settled here.

The Slavs, from whom Serbs and most nationalities across Eastern Europe 
descend, came in the early 600s; during the next centuries, Serb dynasties 
fought against Byzantines, Hungarians and the Turks, who finally defeated them 
at the Battle of Kosovo in 1389, initiating 500 years of Ottoman rule.

The country that once produced leading European figures in the arts and 
sciences has been cut off from the West for so long -- decades of Marshal 
Tito's "new way" communism, 11 years of Milosevic's autocratic rule and now 
seven years of punishing sanctions -- that even Americans, despite our 
country's lead role in the 1999 NATO bombardment that killed hundreds of Serb 
civilians, get a friendly nod.

On my initial walk through Belgrade, the past came alive in the rich array of 
architecture: the spartan, brick-wall design of the 17th century Bajrakli 
Mosque and the neo-Renaissance and Modernist structures dotting the downtown 
area, as well as the immense marble-white church of St. Sava (modeled on the 
Hagia Sofia in Istanbul), whose exterior was finished four years ago.

When I eventually reached the polished cobblestones and suave outdoor eateries 
on Skadarska Street in the Old Bohemian Quarter, I discovered the hotel prices 
were anything but bohemian. I continued through to the leafy Dorcol district 
and checked in at the cheaper but respectable Hotel Royal.

Like the now-gentrified Bohemian Quarter (a former gypsy settlement of shacks 
and cheap cafes that drew artists and writers there in the early 20th century), 
Dorcol also means a lot more to Belgrade's past than its present nouveau riche 
night life suggests. Once a cluster of medieval homes that sloped down to meet 
the Danube, the neighborhood was remodeled with palaces by the 
Austro-Hungarians, destroyed by the Turks and rebuilt last century in a 
grid-like pattern with modern buildings that have sapped some of its mystique.

Major landmarks nonetheless exist. The Jewish Historical Museum has fascinating 
photographs and objects on display, such as ancient demographic maps and 
sketches of synagogues from around the Balkans. There are public galleries 
(with collections as diverse as ancient frescoes and modern Impressionists) and 
private galleries featuring contemporary Serbian painters.

Dorcol also butts up against Republic Square. The city's bustling center point, 
which faces the National Theater and National Museum, is anchored around a 
giant bronze statue of Serbia's Prince Michael on a horse and was the site of 
the earliest anti-Milosevic demonstrations in 1991. Even in the wee hours, the 
square, ringed by inexpensive pizzerias and outdoor cafes, is a place to sit 
comfortably and watch the parade of people.

EXPLORE ON FOOT

Like many of the 1.5 million people who live in Belgrade, you can take buses or 
trams to get around. But because of the range of neighborhoods and the shifting 
geographies, the best way to see the city is on foot.

On my second day, I ascended to the sprawling medieval fortress in Kalemegdan 
Park, which sits on a steep promontory northwest of the city center and 
represents Belgrade's origins.

Standing atop the ancient stone walls that once loomed over early Slav 
settlements, I looked down on the slow, wide union of the Sava and Danube 
rivers. Dotted with historic monuments and sculptures of famous Serbs, with 
footpaths lacing through the trees, the expansive park and fortress is the 
cradle of Belgrade life.

All that serenity vanishes when you reach the park's base at Knez Mihailova 
Street, a buzzing pedestrian thoroughfare that has become the commercial 
centerpiece of Belgrade's resurgence. Lined with bookstores, galleries, 
designer shops and boutiques, Knez Mihailova is studded with outdoor bars and 
cafes, a handful of cultural centers -- and like Republic Square, it's clogged 
at all times with people.

What attracted me even more than the central flare of Belgrade, which includes 
the 2-mile-long King Aleksander Boulevard lined with endless outdoor markets 
selling cheap goods of all kinds, was the easy, slowed-down pace of Zemun, 
Belgrade's charming Hapsburg-era neighborhood that lies just across the Sava 
River.

Zemun, considered a separate city for centuries until it officially joined the 
Serbian capital in 1934, is also built on and around a small hill and is marked 
by quaint Baroque squares, cobblestone streets and tastefully restored 18th 
century homes.

Close by, you'll find some of the best works of the 20th century Yugoslav 
avant-garde, as well as exhibitions of current artists from across Europe, at 
the Museum of Contemporary Art; and aviation buffs can check out the 
glass-and-aluminum structure shaped like a flying saucer that houses Belgrade's 
Air Museum, with a collection of more than 50 original planes, gliders, 
helicopters, rockets and other aircraft.

None of which tops Zemun's best feature: It is smack on the Danube and its 
riverbank is full of nightclub rafts called splavovi, which fill with tireless 
dancing weekend crowds and have put this city's night life on the map.

I checked out a splav and found the music deafening and the drinks a bit 
overpriced (considering I was in the Balkans) at $8 a pop. But the view of the 
starry sky and the dark forest across the river made the anchored barge a 
pretty cool place to have a drink.

Which is why it's striking, given all that's modern and Western about Belgrade, 
to walk through downtown and see the towering, shelled-out remains of buildings 
hit by NATO bombs.

"It's not normal to have such ugly, destroyed buildings in the center of the 
city that people pass and see every day," said Aca Nikolice, who works at a 
kebab takeout spot a block from a bombed military depot. "Eight years, my 
friend, eight years," he told me, shoveling minced-meat sausages into a pita 
and handing me the local wrap, known as a cevapcici. "But it feels just like 
yesterday." (Note: Though Belgrade abounds with excellent pan-Balkan dishes -- 
a fusion of German, Italian and Turkish cooking that's heavy on the meat but 
also offers stuffed cabbage, bean soups and other delights for vegetarians -- 
nothing beats the price, taste and experience of a street-side cevapcici.) 

Many among the post-Milosevic generation say the wound from the bombings is 
still fresh, but they're ready to shake off their pariah status.

"Other countries need to see that Milosevic -- his government, his system of 
governing and his era -- is dead," said Nenad Petkovic, 25, a book salesman.

America and Europe's insistence on a free and independent Kosovo is the biggest 
thorn in the Serbs' side. Kosovo, settled by Serbs about 1,400 years ago, is 
home to the Serbian Orthodox Church and represents the country's core heritage 
and history. "Losing Kosovo would be like losing Serbia itself," said Ivan 
Stanojevic, a political science student at Belgrade University.

But more immediately, said artist Mirjana Rankovic, Serbs shouldn't keep being 
punished -- by economic sanctions, by visa restrictions -- for the crimes their 
government committed in the 1990s. "It's humiliating. We have to ask each time 
we want to travel," she said. "And often they don't let us."

And that's the irony: As Belgrade heats up as a destination for culture and 
night life, Serbs themselves are finding it barely possible to leave. 
Nonetheless, the vibrant arts and music scene they're creating is helping to 
lift this city slowly to a place it hasn't been for years: among the culturally 
rich and respected capitals in Europe.

After I walked Belgrade's hilly streets of past and present and talked with the 
people who inhabited them, the capital that I believed to exist before I came 
here proved to be far different from the city that I came to know.

I prefer the second one.



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