What Do We Do With The Scars Of War?

"I, like other foreigners, was drawn to visiting well-known museums,
retired aircraft carriers and other relics of military supremacy of
the United States."


 18 February 2013



 By R. Mou Run

(Gurtong Published)-Interrupting a row of grand mahogany trees in the
centre of Gogrial, my place of birth, is a huge defunct military tank
previously owned by the Sudanese Armed Forced and disabled by the
Sudan People’s Liberation Army (SPLA) towards the end of Africa’s
longest civil war. Other evidences of war such as trenches, bullet
casings and gun parts remain as the stark reminders of death in the
course of reconstruction after what authorities call a thorough clean
up of the town before resettlement.

This problem is not specific to Gogrial. Damaged combat tanks used to,
and still stand in many South Sudanese towns where heavy fighting took
place during the war. The rusting tanks under Yei Neem trees
documented by many Kenya journalists and non-governmental workers are
the most famous. Of course, these remaining relics of the war era make
no news in independent South Sudan for one very obvious reason: people
are inured to these symbols.

So what is the future of these reminders of our military triumph over
a militarily superior oppressor? The first thing that came to my mind
when I saw the grotesque alteration of my hometown was housing the
ugly invention. I thought this could be done – in Gogrial and
elsewhere – by establishing many small “liberation museums” across the
country where such technological wastes existed. Such institutions, I
figure, can be established by the national government but they can be
transitioned into centres of pride for town inhabitants so that local
philanthropist can fund them.

I am a poor man, to steal a phrase from the South African singer,
Chiko, but I would definitely contribute to a governmental project
that protects my children from accepting the images of other
youngsters climbing a weapon of death in the town of my birth.

My view is that the present generation has no interest in tanks or any
other symbols of a war, which has so adversely contributed to the
destruction of the system of life they know. However, the next
generation is likely to be devoid of the kinds of memories that
currently edit the significance of everything we see in independent
South Sudan.

More importantly, many small museums may serve to highlight for our
children how the liberation of our country affected different
communities and localities over a period that extended beyond the
oft-cited 55 years. Such small museums are likely to serve as
depositaries of both the physical remainders of war such as the tanks
that the SPLA seized, the newspaper archives recording the SPLA’s
capture of specific towns and even the sound archives of the noise
that ensued during the SPLA’s well-known boisterous victories.

Since our cultures have been lacklustre and our governments (local and
national) slightly suspicious in independent attempts to record the
momentous events that have shaped our independence, enabling localised
history archives has the potential to diversify the national narrative
and eliminate the kinds of imposed (stories the Ottomans, the British
and the Arabs attempted to supplant) on a people who are disinclined
to accept foreign pathology and deceit as truth.

I also believe that localised liberation museums may help highlight
the contribution of our heroes and enhance our unity. Such museums may
be the SPLA’s best chance to resolutely remedy public perception in
areas like the Murle country where their loyalty to the service of all
South Sudanese has been question.

We must also remember that a history conscious society will always
produce people who worry about what their own children (or the future
generation) would think if their actions in the national army were not
beyond reproach. Such a culture is not easy to achieve without strong
institutions that immortalises those who lay down their precious lives
for our freedom.

>From my perspective, many small museums would do at least two things.
First, they would generate local debates about the roles of specific
individuals in the liberation of South Sudan. For example, Kerubino
Kuanyin Bol is still considered a villain in Gogrial – my hometown –
but nobody forgets that he ordered the first shot that generated the
SPLA in 1983. Indeed, the Bor Women music group made famous by Youtube
use his name and Mading Bor (the birthplace of liberation) in their
influential song, “Madingda ye gol tarir.” Inasmuch as these are
national debates, local voices are also critical. Local voices
decentre the narratives.

Secondly, they will serve to make the history of our country’s
founding complete by placing the appropriate emphasise on the
liberation struggle. In my first days in the United States of America,
I, like other foreigners, was drawn to visiting well-known museums,
retired aircraft carriers and other relics of military supremacy of
the United States. What I discovered later on – very, very much later
on – was the fact that most Americans had their interests locked into
the offers of memorial centres – not of superpower symbols like
aircraft carriers, but of liberation from the imperial tyranny of
Great Britain.

This was only possible because the Americans were interested in
telling their stories. We have every opportunity to build a strong
foundation to remember how we came to be an independent nation and
maintain studious records of who laid their lives down to get us here.
Our leaders did not single-handedly pick up the guns and fought the
war. This fact alone should make every South Sudanese care more about
a local history remember the son or daughter of X and Y in our local
history than the present posture.

To sign off, I also think small museums would be the most
nationalistic element of “bringing the town to the people” that
President Kiir and his predecessor, John Garang, always hoped to
implement. Such an investment would lead to the empowerment of
grassroots voices that may (or not) engender local causes for
nationalism. The present South Sudanese discourse of nationalism, like
much of Africa, seems elitist and exclusive. We need to change that
and get the damaged tanks out of the centre of our small towns and
villages and into war museums where names of fallen heroes may also be
recorded.

Posted in: Opinions



Comments





18/02/2013, 10:09 AM

 - Posted by Jacob Akol


Dear Run,

This is an excellent opinion piece, devoid of usual political agenda
characteristics of many opinions posted on South Sudanese website. It
gets to the heart of a very important topic for our history and
Gurtong Trust is proud to publish it.

Let's face it though: Our insensitivity to what is important to our
history may have led or likely to lead to these relics being sold to
iron/steel mongers for melting. There were many of those destroyed
tanks lying about in ditches near the river in Juba. Those seem to
have disappeared and they might find their way - if they have not
already done - to Kenya or even Japan.

All this reminds me of my school days in Gogrial when our school
visited the spot at Alek where Ayook Lual was murdered by a force
which came from a steamer which awaited them at Majok Amaal. Although
this great battle of Alek is recorded in songs, there is no reserved
material witness to the battle. But we were shown scars of the battle
on the trunks of palm trees there. Those palms trees may have perished
by now but the cannon balls which cause such damage must be lying
under the soil nearby and can be retrieved by archaeologists and
housed in a local museum either at Alek or Gogrial.

Jiel Akol

-- 
You received this message because you are subscribed to the Google Groups 
"South Sudan Info - The Kob" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to [email protected].
To post to this group, send email to [email protected].
For more options, visit https://groups.google.com/groups/opt_out.


Reply via email to