Sudan Hosts First-Ever Film Festival
Posted by Nicole Audette <http://www.enoughproject.org/blogs/nicole-audette> on
Jan 30, 2014

[image: Sudan International Film Festival , or SIFF logo]

The first-ever Sudan International Film
Festival<https://www.facebook.com/SIFF.Official> ,
or SIFF, took place this past week in Khartoum. Bringing together
filmmakers, artists, and audiences, the festival celebrated independent and
alternative filmmaking. The weeklong event (January 21-27) included
workshops, vocal performances, lectures, and 23 different
documentaries, short films, and feature films from Egypt, Ethiopia, Kenya,
the U.S., and Sudan.

The event, in honor of the late Sudanese visual artist Hussein
Shariffe<http://www.shariffe.org/> was
an opportunity for Sudanese culture to shine in an arena often dominated by
India, the U.S., and Egypt. Films such as Bentley Brown's "Faisal Goes
West" offered a novel look inside what the filmmakers defines as Sudanese
cinema. According to
Bentley<http://sudaneseoptimist.wordpress.com/2011/11/15/sudanese-film-faisal-goes-west/>,
"documentaries largely reflect the international community's interest in
Sudan for mere political or feel-good humanitarian reasons-as if Sudan is a
constant case study of suffering and people in need, and foreigners can be
the ones to help. But I know Sudanese to be different-they are a people
extremely diverse in language, background, politics, religion, and one
aspect that is rarely conveyed is the sense of communal resilience present
across Sudan and the Sudanese diaspora. This is what I want to convey
through the characters in the film: a message of persevering, even when
hardship catches you by surprise." The film features actors, artists and
producers from Sudan and revolves around the familiar theme of finding
identity as it follows the movement of a family from Khartoum to a chicken
farm in Texas.

Shariffe's 1975 film, "Dislocation of Amber<http://shariffe.org/04films.html>,"
was also among the films screened at the festival. The short film, set in
the city of Suakin, is said to capture the complex history of the city and
display a resilience rooted in determination and competitiveness.  The name
of the film itself stands as a metaphor of "disassociating beauty from
ugliness and life from none."

The festival was heralded as a success by its funders and sponsors. Sayed
Fouad, the president of the Luxor African Film Festival, recognized the
festival as an important activity "in the development of cinema and the
communion between African
people<http://www.screendaily.com/festivals/sudan-to-launch-film-festival/5065606.article>."
The event's success is a signal to the talent inside Sudan's art industry
and the thriving creativity of the Sudanese people.

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