New Reviews, interviews & Articles on Furtherfield.org April 06.

http://www.furtherfield.org

-Mary Flanagan: Interviewed by Jess Laccetti.
-Free103point9 and Transmission Arts: Reviewed by María Victoria Guglietti.
-Chris Ashley - Look, See: Reviewed by Rob Myers.
-Flick Harrison's Interactive Cinema: Marie Tyrell - Article by Camille Baker.
-FurtherCritic Article by [[Mez]]:
Unlearning Paris Hilton [vs: Reconstructing (Gender) Isabella].
On Abe Linkoln's video on 'isabelle-dinoire'.

Mary Flanagan - Interviewed by Jess Laccetti.
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An interview with Mary Flanagan by Jess Laccetti about the idea of works-in-progress and issues around exploration. Flanagan's artwork has been shown internationally at venues including the the Whitney Museum of American Art 2002 Biennial, SIGGRAPH, Ars Electronica, Whitney Museum of American Art's Artport, the Moving Image Centre in Auckland, Central Fine Arts Gallery, New York, the Guggenheim, University of Arizona, University of Colorado Boulder, New York Hall of Science, and galleries/events in Spain, the UK, Norway, Japan, Denmark, Canada, Australia, Hong Kong, France, Italy, Slovenia, and the US.
Interviewed by Jess Laccetti.
http://www.furtherfield.org/displayreview.php?From=Index&review_id=179

Free103point9 and Transmission Arts.
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Since its emergence as a microcasting artist collective in 1997, free103point9 has consistently pursued the legitimization and promotion of transmission arts. Today, the clandestine collective is a non-profit arts organization whose many ventures are: Project space -a gallery in Brooklyn, New York-, Wavefarm -a research centre currently under construction-, a radio lab, an on-line radio and a distribution label. Aware of the need of defining transmission arts, free103point9 has painstakingly theorized and documented the history and forms of transmission art: radio and video art, performance, installation, light sculptures. Textbooks and a growing on-line archive of transmission artworks are two ways in which free103point9 consolidates the notion of transmission arts.
Reviewer: María Victoria Guglietti.
http://www.furtherfield.org/displayreview.php?From=Index&review_id=178

Chris Ashley - Look, See.
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Every day since 2002 Chris Ashley has created an abstract coloured drawing in hand-coded HTML tables and posted it to his weblog “Look, See”. The structured format of a weblog frames these small but often complex works perfectly. Weblogs are an informal medium and personal weblogs often have the quality of a diary or consisting of a confessional nature. This is a deflating context for art, one that in Chris's case allows some of the aesthetic content of high and late modernism to be rehabilitated without bathos. What was once meant to be universal is made personal, not with the knowingness of Neo Geo but with a remixer's virtuosity and enthusiasm.
Reviewer: Rob Myers.
http://www.furtherfield.org/displayreview.php?From=Index&review_id=180

Flick Harrison's Interactive Cinema: Marie Tyrell.
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The film “Marie Tyrell” came to my attention when I was asked to moderate the Cinematic Salon, a monthly informal community event in Vancouver, hosted by Cineworks, a non-profit artist-run cinema centre. The Cinematic Salon is meant to, “provide an opportunity for dialogue around film artistry, in which guest artists show and discuss their work, encourage other filmmakers at all stages of their careers, as well as for individuals simply interested in film, meet, discuss and learn from each other’s experiences in film making.” This particular event was called “Flick Harrison: Film Interactive” due to its interactive features as a means to demystify or interrogate the narrative, politics and production of the film.
Article by Camille Baker.
http://www.furtherfield.org/displayreview.php?From=Index&review_id=181

FurtherCritic Article by [[Mez]].
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Unlearning Paris Hilton [vs: Reconstructing (Gender) Isabella].
On Abe Linkoln's video on 'isabelle-dinoire'.

[[Mez]] Explores Abe Linkoln's video on Isabelle Dinoire, the first person to undergo a partial face transplant, after her dog mauled her in May 2005. Ideologically + representationally Paris Hilton has a surprising amount in common with her [_House of] Wax_work_drenched performance in the movie of the same name. In _House of Wax_ she portrays a pe[tulant]rpetual bottle_x.tension_teen_sex.shell_blonde intent on conveying some teen_tidbit 2 her jock _clichéd_b/friend. How.eva...
http://www.furtherfield.org/furthercriticreview.php?review_id=20

The FurtherCritic Residency series started early 2002, offering a range of dynamic and critical reviews, interviews and articles to a diverse, interested public. Starting with Lewis LaCook, it was continued by Ryan Griffis and now with ]]Mez[[ (Maryanne Breeze).

All FurtherCritic article's by [[Mez]], Ryan Griffis & Lewis Lacook can be reach here:
http://www.furtherfield.org/furthercritic.php


If you want to be a reviewer on Furtherfield contact - [EMAIL PROTECTED]

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