Dear all 

I am very pleased to announce Networked Bodies, a long weekend of performances, 
talks, installations and workshops, exploring networks and networked 
performance practices at Watermans. 
I hope you can join us!
All the bestIrini 
-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford 
TW8 0DS
Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020www.watermans.org.uk

NETWORKED BODIES
Digital Performance Weekender
Friday 7 - Sunday 9 November 2014
Watermans 
Programme of events: 
http://issuu.com/mirena/docs/networked_bodies_programme_a2c24d4f34fbef 
Bookings: 
http://watermans.ticketsolve.com/shows/873523000/events?show_id=873523000 
Networks are at the heart of how we live today. Networks generate transnational 
zones of action, bring together communities, circulate knowledge and 
information, expand spheres of influence, contaminate ideas, germinate 
exchanges, foster innovation, and facilitate distribution of power. However, 
networks are unfairly distributed and closely monitored. Geopolitical 
injustices and dominant political and economic forces mean that networks can 
foster segregation, facilitate hyper-centralized forms of citizen surveillance 
and control, fragment living space and experience. These developments of the 
network society generate social tensions, which invest the task of 
understanding networks in their many manifestations -including cultural ones- 
with social and political urgency. 
Networks, despite many past promises of disembodiment and internationalism 
through the obsolescence of both bodies and geographical boundaries - promises 
now widely perceived themselves as obsolete - are still experienced by subjects 
that remain both embodied and geographically situated (Cohen, 2012: 11) As 
Cohen argues, not only are networks firmly connected to material bodies and 
physical geographies, but they also play "an increasingly significant role in 
constructing embodied experience" (ibid), by both empowering and configuring 
the "networked self" (ibid: 12). 
In Networked Bodies at Watermans we want to explore networked performance 
practices with a view to considering how they transform live (embodied, 
disembodied and trans-bodied) performance practices. We are keen to consider 
the many, increasingly well documented, exciting possibilities these present to 
live performance, as well as their potential downsides. Speaking for the devil 
(so to speak), we ask: do these practices raise any ethical concerns through 
the use of surveillance and control, fragmentation of space and experience, 
alienation or even exploitation of their participants? Networked Bodies will 
aim to look beyond shiny appearances and into the -occasionally dirty- folds of 
the networks (and the bodies).
Curated by Maria Chatzichristodoulou (aka Maria X) and Irini Papadimitriou
Participating Artists: Invisible Flock, Norah Lorway, Jo Scott, Chisato 
Minamimura in collaboration with Nick Rothwell & body>data>space, Kate Sicchio 
& Nick Rothwell, Fabio Lattanzi Antinori & Louise Ashcroft, Suzon Fuks, Steve 
Dixon, Julian Maynard Smith (Station House Opera), Maria Oshodi (Extant), Prof. 
Susan Broadhurst, Daniel Ploeger, Ellen Harlizius-Kluck, Rachel Jacobs (Active 
Ingredient), Tim Murray-Brown & Jan Lee, Christina Papagiannouli, Evi 
Stamatiou, Helen Varley Jamieson, Miljana Perić & Vicki Smith, Annie Abrahams, 
Camille Baker, Joel Cahen, Garrett Lynch, Joseph Hyde with Phill Tew & 
body>data>space, Kasia Molga & Adrian Godwin, Ka Fai Choy, Jennifer Lyn MoroneT 
Inc, Alex May, Nina Kov in collaboration with COLLMOT Robotic Research Group 
directed by Pr Tamas Vicsek, Dept of Biological Physics of the Eotvos 
University of Budapest, Exploring Senses CIC, Stanza
                                          
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