We have the pleasure to announce eight new contributions to the curated
online space Photomediations Machine. In one way or another, they all
engage with the nature of the photographic medium and its relationship
with time as not just as something that passes but as active shaping of
what is to come:
http://www.photomediationsmachine.net
- A posthuman natural history of the future, by Alexa Horochowski:
http://photomediationsmachine.net/2015/01/13/club-disminucion/
- Psychoanalyst Benjamín Mayer Foulkes writes about a new vision of
the image by blind photographer Evgen Bavcar:
http://photomediationsmachine.net/2015/01/13/the-blind-photographer/
- Masha Tupitsyn’s audio history of amour in cinema is a love
manifesto presented as a philosophy notebook:
http://photomediationsmachine.net/2014/12/09/love-sounds/
- The Exploding Plastic Inevitable: Andy Warhol’s multi-screen
multimedia environment:
http://photomediationsmachine.net/2014/12/09/andy-warhols-exploding-plastic-inevitable/
- Conan: Bartosz Wajer’s images produced directly on the sensor of a
dismantled digital camera:
http://photomediationsmachine.net/2015/01/13/conan/
- Korean artist Jang Suk-Joon uses digital media to create portrayals
of landscapes:
http://photomediationsmachine.net/2014/12/09/jang-suk-joon-and-the-modern-landscape/
- I Caught It at The Movies: Elaine Whittaker’s mixed media
installation of digital images, painting and live bacteria:
http://photomediationsmachine.net/2014/12/09/i-caught-it-at-the-movies/
- Jisun Choi’s sculpted suitcases as symbolic containers for human
anxiety:
http://photomediationsmachine.net/2015/01/13/in-case/
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PHOTOMEDIATIONS MACHINE
http://www.photomediationsmachine.net
Photomediations Machine is a curated online space where the dynamic
relations of mediation as performed in photography and other media can
be encountered, experienced and engaged.
Photomediations Machine adopts a process-based approach to image making
by tracing the technological, biological, cultural, social and political
flows of mediation that produce photographic objects. Showcasing
theoretical and practical work at the intersections of art and
mainstream practices, Photomediations Machine is both an archive of
mediations past and a site of production of media
as-we-do-not-know-them-yet. Photomediations Machine is non-commercial,
non-profit and fully open access.
Curated by Joanna Zylinska and Ting Ting Cheng, Photomediations Machine
has an International Advisory Board which includes Katherine Behar, Lisa
Cartwright, Alberto López Cuenca, Asbjørn Grønstad, Richard Grusin,
Sarah Kember, Max Liljefors, Melissa Miles, Nicholas Mirzoeff, W.J.T.
Mitchell, Luiza Nader, Nina Sellars, Jonathan Shaw, Katrina Sluis,
Marquard Smith, Hito Steyerl and Bernadette Wegenstein. It is a sister
project to the online open access journal Culture Machine
(http://www.culturemachine.net), established in 1999.
Website: http://www.photomediationsmachine.net
Follow us on Twitter: @Photomediations
Visit us on Facebook: http://www.facebook.com/photomediations.machine
Submissions invited:
http://photomediationsmachine.net/submissions/
--
Professor Joanna Zylinska
Department of Media and Communications
Goldsmiths, University of London
http://www.joannazylinska.net
Curator of Photomediations Machine
http://www.photomediationsmachine.net
NEW BOOK, Minimal Ethics for the Anthropocene, available open access:
http://www.openhumanitiespress.org/minimal-ethics.html
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