Hi John and Spectres
I agree with you that not many artists would be prepared to do so. I think it
is very sad that academic conferences tend to exclude people with no academic
affiliation / income that would allow them to pay the registration fee. The
conferences, in my view, are poorer and more homogenous as a result.
On the other hand, most often, in my experience, those conferences just cover
their costs (in today's institutional contexts, where institutions charge
themselves/their staff for use of space, equipment and support). Institutions
that organise them take a risk in that sometimes even costs are not fully
covered. Academics involved take on extra work without additional remuneration
and there is often a feeling that we make those conferences happen through
personal investment.
Specifically, TaPRA is a UK national conference encourages students to engage,
so there is normally a small number of bursaries that non-affiliates/students
can apply for. Many conferences now also offer different rates for affiliated
/non affiliated delegates, which seems fair. Can I also add that affiliated
delegates sometimes don't get their expenses covered either, as Institutions
are becoming tighter in handling such costs.You'll also find that arts and
humanities academic conferences such as this are generally more affordable than
high-tech, industry-related events.
I can assure you though that, within the context of our constraints in this
particular event, we do engage with a community of creative people -
pseudo-creativity is not, generally, our domain. Also that, both myself
personally and TaPRA as an organisation, we develop different types of
conferences and gatherings, some of which are free or very affordable. TaPRA
working groups tend to have annual interim events that are of shorter duration
and tend to cost £0-25.
Best wishes
Maria
Dr Maria Chatzichristodoulou
Lecturer in Performance and New Media
Programme Leader MA by Research & PhD in Theatre and Performance
Disability, Equality and Diversity Tutor
School of Drama, Music and Screen
University of Hull
Room: Loten L104
Cottingham Road
Hull, HU6 7RX, UK
T. +44 (0) 1482 465076
http://www2.hull.ac.uk/fass/drama.aspx
________________________________________
From: John Hopkins [[email protected]]
Sent: Sunday, April 12, 2015 3:26 PM
To: [email protected]
Subject: Re: [spectre] CfP: Digital Memory and Techno-nostalgia
> same proposal to several Calls for Papers. All presenters must be TaPRA
> members, i.e. registered for the conference; this includes presentations
> given by Skype or other media broadcast even where the presenter may not
> physically attend the conference venue. If your paper has been accepted, yet
> you have not registered for the Conference by the final registration deadline
> of 14 August 2015, we will deem you no longer intend to participate and
> present at TaPRA 2015.
A note of further exclusion in the language of subtle brutality: pay to play.
How many working 'performance artists' not firmly attached to institutional life
-- academic or otherwise -- will find there to be a distinct imbalance between
forking over cash and the 'opportunity' for sharing their experiences?
Personally I would rather forego the price of institutionalization and instead
share freely in unstrictured encounters with those who would do the same.
Nothing personal against the convenors, but it's sad how rigid the steps to
social 'viability' have become within a meta-miasma of pseudo-creativity: the
very definition of artifice...
--
++++++++++++++++++++++++++++++++++++++++++++++++++
Dr. John Hopkins, BSc, MFA, PhD
grounded on a granite batholith
twitter: @neoscenes
http://tech-no-mad.net/blog/
++++++++++++++++++++++++++++++++++++++++++++++++++
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