> Begin forwarded message:
> 
> From: grey) (area . siva) (zona <i...@sivazona.hr>
> Subject: Race with Time 2. Performancein a Rear-view Mirror
> Date: 11 Jun 2015 23:26:23 CEST
> To: Darko <da...@darkofritz.net>
> Reply-To: grey) (area . siva) (zona <i...@sivazona.hr>
> 
>  
> <http://sivazona.us8.list-manage1.com/track/click?u=143feae3cde083fd96d1a6e95&id=b7a319fd9b&e=a525aff784>
> Race with Time 2.
> Performance in a Rear-view Mirror
> 
> Exhibition
> June 15– July 7, 2015
> Opening: Monday, June 15,  9pm -11 pm
> 
> Curator: Barbara Borčić
> Artists: Martina Bastarda / Mateja Ocepek / Nataša Skušek, Mateja Bučar, Ana 
> Čigon, Tomaž Furlan, Marko A. Kovačič, Miha Vipotnik
>  
> 
> Lecture and screening
> Barbara Borčić: DIVA Station – archiving of images and time
> June 28, 2015
> 
> Action, happening and performance were a direct reaction to the prevailing 
> formalist and market-driven art in the 1950s and 1960s. As the new means of 
> expression at the intersection of visual art and theatre, they have somehow 
> been pertinent to both fields; nonetheless, they have regularly been 
> overlooked in the canonised history books and surveys.
> 
> In the context of Conceptual Art and New Artistic Practices, video art has 
> met a similar reception. Apart from being a strongly individualistic 
> activity, performance and video share various other features, such as 
> inappropriate production conditions and lack of critical writing. It is also 
> questionable whether they have found a pertinent field of representation, in 
> the sense that the gallery is the field of representation of visual art, 
> theatre of performing art, and the movie theatre that of film; while, 
> television and the Internet seem to be the testing ground for all manners of 
> production. It is also possible that performance and video mostly belong to 
> the fields of other art forms, often overlapping and integrating other 
> so-called new media.
> 
> The relationship between performance and video has always been multilayered 
> and followed a preceding relation between film and action.
> 
> The relationship between performance art and video art could be schematically 
> demonstrated by four modes:
> 1) video as a document of performance,
> 2) video as a part of performance / performance as a part of video,
> 3) (video) performance, staged only for the camera, and
> 4) performance made possible only through video, its expressive and 
> technological possibilities for processing and editing.
> 
> 
> Marko A. Kovačič: Casus belli, 1983, video performance
> grey) (area has a new website sivazona.hr 
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> gallery is open daily from 21 to 22 h.
> Put Sv. Nikole bb (promenade close to the town centre)
> free entrance
> 
> supported by
> zaklada Kultura Nova
> Ministry of Culture of the Republic of Croatia
> 
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> siva) (zona grey) (area · Ulica Giunio 11 · pp. 95 · Korčula 20260 · Croatia 
> 
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