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Many thanks [email protected] On Tue, 17 Nov 2020 at 10:52, <[email protected]> wrote: > Send SPECTRE mailing list submissions to > [email protected] > > To subscribe or unsubscribe via the World Wide Web, visit > http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre > or, via email, send a message with subject or body 'help' to > [email protected] > > You can reach the person managing the list at > [email protected] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of SPECTRE digest..." > > > Today's Topics: > > 1. Ràdio Web MACBA most listened podcasts October 2020 > (Radio Web MACBA) > 2. Body and Digitality: From early experiments to theater-making > (Marco Donnarumma) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Mon, 16 Nov 2020 15:16:39 +0100 > From: Radio Web MACBA <[email protected]> > To: spectre <[email protected]> > Subject: [spectre] Ràdio Web MACBA most listened podcasts October > 2020 > Message-ID: > <CAFiNzL0kKZxwfyULP-ETVKomgt7u7xcEg2csK7QTjU= > [email protected]> > Content-Type: text/plain; charset="utf-8" > > *Ràdio Web MACBA most listened podcasts October 2020 > <https://rwm.macba.cat/en>* > > *1- Jonáš Gruska > <https://rwm.macba.cat/en/sonia/sonia-318-jonas-gruska>: “If I build it > myself I know who to blame when it doesn’t work.”* > > The slovak musician, sound artist, and maker Jonáš Gruska is a proud > amateur, honouring the French origin of the term (to love what you do). > Curiosity and passion run through pretty much everything that Gruska > engages in. In our conversation ranging from his site-specific sound > installations to his hand-crafted microphones and audio tools, his recent > interest in mycology, and his playful exploration of the electromagnetic > spectrum, Jonáš used the word 'fascination' quite a lot. We talk to Jonáš > about resonating spaces, resonating surfaces, tramways, self-taught > electronic circuitry, field recordings, fermentation, mushrooms, and > unusual microphones. > > Link: https://rwm.macba.cat/en/sonia/sonia-318-jonas-gruska > > *2- Professor Oyèwùmi: > <https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi> "Part of what > I > am doing is to historicize how gender became important in the colonies as > the result of the fact that the colonizers brought their ideas about > gender. That is the crook of the matter." * > > In this podcast, Professor Oyèwùmi > <https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi> talks about > age, seniority, and respect, about unscrupulousness and academia, > dispossession and spirituality. She considers the oxymoron of the notion of > “single mother” from the point of view of Yoruba culture, and she also > notes how observance of community practices from non-Western cultures may > be an unnecessary step as we face the planetary challenges to come. > > > Link: https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi > > *3- Anja Kanngieser: > <https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser> "I don't know > what climate justice could exist when the reality is that Kiribati will be > gone. It's undeniable. Kiribati will be gone. You think about what justice > would mean. At the moment it's conversations around loss and damages. How > could you ever compensate for that? An entire land gone and indigenous > people displaced forever."* > Political geographer and sound artist Anja Kanngieser > <https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser> works in the > coordinates between space and sound. This merging of disciplines that seems > completely normal to her tends to be more perplexing to the > compartmentalised world of science and academia than to the undisciplined > field of artistic practice. In this podcast, we become the listeners > as Anja Kanngieser > reflects on expanded listening, on the inaudible, and on our > anthropocentrism. They talk about their long-standing interest in sound > governance and dissect the many tensions that built up in the project > “Climates of Listening”, which was originally based on the intention of > amplifying campaigns for self-determination and self-representation in the > Pacific. > > Link: https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser > > *4- *ON LISTENING #1 > <https://rwm.macba.cat/en/research/listening-1-thinking-through-ear>. > Thinking (through) the ear. With conversations with Salomé Voegelin, Peter > Szendy, Christoph Cox, Casey O'Callahan, Seth Kim-Cohen and Julian > Henriques > > *To what extent is listening ‘thinkable’?* Philosophical inquiry, deeply > rooted in the visual regime, seems to struggle when it comes to > theoretically coming to grips with listening and sonic phenomena. It is, > after all, no coincidence that the Greek term ‘theoria’ (θεωρία) means > ‘looking at, viewing, beholding’. This programme explores philosophy’s > seeming difficulty in grappling with listening and its counterpart – sound > – as a powerful deconstructive means to cut through some of the > philosophical certainties that underpin classical and modern Western > thought. Can we conceive sounds as objects, or it would be more appropriate > to consider them events? How far can the phenomenological approach to sound > take us, and how much can we rely on it? And what about new materialisms? > Are they more useful, in hermeneutic terms, when dealing with sound and > listening? These are some of the issues addressed in part one of ON > LISTENING. > > https://rwm.macba.cat/en/research/listening-1-thinking-through-ear > > *5- *Reni Hofmüller: > <https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller>*"The great thing > in the 80s and 90s was that there was still the possibility to formulate > radical positions and be heard. Now, with the fragmentation that we have, I > don't really know who hears me. * > In this podcast, Reni Hofmüller > <https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller> shares her early > commitment with radio, as well as her obsession with dismantling the > invisible in order to understand and question it. A trip through time that > takes us from the 1980s to the present, through her personal involvement in > feminist discussions from the perspective of new media. Our conversation is > riddled with references to her commitment to open source, to doing things > together, to the uninhibited mixing of disciplines, and to her passion for > the electromagnetic sphere and bicycles. > > Link: https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller > E/N/J/O/Y/ > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > http://post.in-mind.de/pipermail/spectre/attachments/20201116/5361e405/attachment-0001.html > > > > ------------------------------ > > Message: 2 > Date: Tue, 17 Nov 2020 11:13:17 +0100 > From: Marco Donnarumma <[email protected]> > To: [email protected] > Subject: [spectre] Body and Digitality: From early experiments to > theater-making > Message-ID: > <CAJTYuavwxR+VLXJAhcUPvO94OQQpUzDHiqCyisZXAp= > [email protected]> > Content-Type: text/plain; charset="utf-8" > > (excuse any x-post) > > Fellow spectrers, > > Our recently funded artists group Fronte Vacuo (Donnarumma, Margherita > Pevere, Andrea Familari) have just produced an informal video lecture for > public access and dissemination: > > Body and Digitality: From early experiments to theater-making. > https://www.youtube.com/watch?v=69ONaW31kl8 > > In the talk I discuss the relation of body and technology in the arts and > how the body is at the center of a transdisciplinary avantgarde that, since > the 1960s, has been meshing media art, dance and theater; a set of > practices that made possible much of the art we see today. > > Tags under: #experimentation #performanceAndTechnology #cyberfeminism > #alternativeEmbodiment #performativity #biophysicalPerformance > > The first 30 minutes are dedicated to a historical overview of body and > technology works and performances from the 1960s until 2010s, including > Alvin Lucier, E.A.T, Stelarc, Marcel.lí Antúnez Roca, VNS Matrix, Seiko > Mikami, Shu Lea Cheang, Santasangre. > > The next 30 minutes are focused on my own work as well as on the > collaborative works created with Fronte Vacuo co-founders Pevere and > Familari, including my "7 Configurations" cycle, and Fronte Vacuo's new > Humane Methods performance and happening series. > > The lecture was recorded with the kind support of Akademie für Theater und > Digitalität, Dortmund, where myself and Familari are currently Research > Fellows. > > All works and works' excerpts shown in this video are copyright of the > respective artists. For sake of conciseness, the historical overview is by > no means exhaustive. The talk is under a Creative Commons License. > > Please feel free to contact me for questions, doubts, critics, and to use > this talk in any way it may be relevant to your work, teaching or research. > > Thank you, > wishing you well, > > -- > Marco Donnarumma, Ph.D. > *Performing bodies, sound and machines* > https://marcodonnarumma.com > > > *(maybe) ON TOUR*Oct 1-31 | Inanis, World Premiere @ ORF musikprotokoll, > Graz > Nov 26-28 | Panel @ Taboo Transgression Transcendence Conference, Online > Nov 27 - Apr 24 | Alia + Amygdala + Calyx @ Cuando las Mariposas..., > LABoral, Gijon > > > Studio > Atelierhof Kreuzberg > Schleiermacherstraße 31-37 > 10961 Berlin > m: +4915221080444 > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > http://post.in-mind.de/pipermail/spectre/attachments/20201117/6070c707/attachment.html > > > > ------------------------------ > > Subject: Digest Footer > > _______________________________________________ > SPECTRE mailing list > [email protected] > http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre > > ------------------------------ > > End of SPECTRE Digest, Vol 213, Issue 10 > **************************************** > -- Cristiana Bottigella [email protected] www.hartslane.org www.baitalkarama.org
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