You are warmly invited to join us next Thursday for the online symposium "Critical Art vs. Prank Politics: creative tactics for post-moral paradigms" Attendance is free, but please sign up here: https://cryptpad.fr/form/#/2/form/view/3d60BozOhQLPQDmBsksxqNUyHrH9lYh921buh3XlYGs/ The link to the event as well as a detailed programme will be sent out closer to the date.

Very best,
Dani Ploeger


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Critical Art vs. Prank Politics
creative tactics for post-moral paradigms
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online-symposium
Thursday 8 May 2025, 15:00-17:30 CET

Contributors: Aram Bartholl, Francis Hunger, Nora Nora O'Murchú, Dani Ploeger, Hito Steyerl,
Florian Weigl

In February, Benjamin Netanyahu presented a gold plated pager device to Donald Trump, in reference of last year’s Mossad attack on suspected Hezbollah members, using explosive pagers. Not only did this gift mark another step in a seemingly escalating sequence of official glorifications of acts of state-sanctioned violence that are legally questionable at best (the United Nations Human Rights Office denounced the attack as a “terrifying violation of international law”). Its form also suggests that representatives of nation states in the Global North are shifting their previous focus on keeping up the appearances of an enlightened moral high-ground towards a strategy of prank-like utterances that blatantly display a politics of obscene violence that accompanies globalized power.

The hyperbolic representation and aestheticization of political transgression to expose the perverse implications and undercurrents of hegemonic power have long been a prominent tactic in critical art practices. Now that this approach has been co-opted by the representatives of power themselves, thus normalizing the public display of violent excesses, what artistic and critical tactics – if any – might still have the potential to raise moral concerns and motivate resistance?

Critical Art vs. Prank Politics is a one-day online symposium organized by Dani Ploeger, Professor of Performance and Technology at the University of Music and Theatre Munich in collaboration with V2_Lab for the unstable media.


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Prof. Dr. Dani Ploeger

Professor of Performance and Technology, University of Music and Theatre Munich

Website: www.daniploeger.org
Book: https://www.triarchypress.net/deserted.html

Current research:
Rojava Center for Democratic Technologies: https://t.me/rojavatech
Disobedient Devices: https://www.disobedientdevices.org/
Destructive Circuits: https://v2.nl/publications/destructive-circuits
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