Open Humanities Press is delighted to announce the publication of Tom Cohen's Ecocide and Inscription vol. 1: Black Ops. Petrolepathy, Escaped Slaves, Cinemacide – A Tele-mnemonics for the After-Times.

Available open access and in colour print from:

https://www.openhumanitiespress.org/books/titles/black-ops/

Book description

Examining works by Faulkner, Morrison, and Hitchcock among others, Tom Cohen traces a “hyper-blackness” that exceeds racial binaries and links to the viscous materiality of oil. He argues that this blackness before face or figuration offers a way to rupture the “Anthropocene” spell and its attendant anaesthesias. By tracking inscriptions that melt back into a prefigural domain, Cohen outlines a literary structure of climate change itself, one that undoes conventional notions of meaning, reference, and human exceptionalism. This daring work proposes new tele-mnemonic models for reading in the “After-times” – an era when tipping points have passed and cascade effects accelerate, unacknowledged. Blending literary analysis, philosophy, and environmental thought, it charts a path beyond mourning or denial toward a radical reconfiguration of thought itself in the face of planetary mutation that does not promise a good outcome (indeed, the “promise” is jettisoned). Taken as a contribution to Nethercene reading expeditions as a subset of Irreversibilities – a perspective that is transgenerational and temporally fluid, in radical transition, and inter-speciesist – Cohen tracks where liquefied figures of inscription direct our anthropomorphic fables and remain to confront as we leave the “Anthropocene Talk” bubble as a distraction. These “inhumanist” scans return to the interventionist prospect of reading technics at the point of the rise of LLM “A.I.” modes – seeing a direct line from the cave paintings and proto-writing through cinema, the algorithmic take over of the screen, mutations of literacies toward vidioscapes, and looming accelerations of the climate vortex.

    With Black Ops, Tom Cohen enters the war over the visibility or occlusion of oil amidst the fossil-fueled crackup of the Holocene, the Earth-system configuration that allowed for what was called civilization. That crackup, Cohen incisively argues, entangles with received modes of sense-making. Cohen tracks how select literary, cinematic, and photographic artifacts screen yet undercut legacy semantic orders, exposing signifying technics for on-the-climate-charnel-ground reengineering. Detailing hermeneutic, mnemonic, and political tipping points that put the human in the rearview mirror (species split, anyone?), Ecocide and Inscription 1, Black Ops orients readers toward the catastrophic now of climate chaos, about which Cohen’s disconcertingly safe wager is that the only way out is an interminable, yet all-too-terminant, way through.     Robert Savino Oventile, author of Impossible Reading: Idolatry and Diversity in Literature and coauthor (with Sandy Florian) of Sophia Lethe Talks Doxodox Down

Author Bio

Tom Cohen is Emeritus Professor of English and co-director of the Institute on Critical Climate Change at the University at Albany. He is the author of Anti-Mimesis From Plato to Hitchcock (Cambridge 1994), Ideology and Inscription: Cultural Studies after Benjamin, De Man, and Bahktin (Cambridge 1998), and Hitchcock’s Cryptonymies, vols. 1 & 2 (UMinn 2005). His most recent titles, co-authored with Claire Colebrook and J. Hillis Miller, are Theory and the Disappearing Future (Routledge 2011), and its companion volume, Twilight of the Anthropocene Idols (OHP 2016). He is also the editor of Derrida and the Humanities (Cambridge 2003) and co-editor of Material Events: Paul de Man and the Afterlife of Theory (UMinn 2001).

Series

The book is published as part of the CCC2 Irreversibility series, edited by Tom Cohen and Claire Colebrook:https://www.openhumanitiespress.org/books/series/ccc2-irreversibility

Sigi, Gary, David, Joanna

--
Gary Hall
Professor of Media
Centre for Postdigital Cultures, Coventry University

Director of Open Humanities Press: http://www.openhumanitiespress.org
Blog: http://garyhall.squarespace.com/journal/

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