I have read with interest the various storage and cataloging methods used by
others on this list and have a few comments.  On the surface, it doesn't make
much difference what system you use as long as it meets your needs, but you
should consider future uses of your collection.  That includes uses after you
have gone to that great depot in the sky.

I file my slides by railroad in Logan boxes (about 150 of them).  For each
particular railroad, I file first all the miscellaneous equipment, stations,
cars, etc., then locomotives (roster-type shots) by engine number followed by
actions/scenic views in chronological order.  (The actions/scenics of my
Santa Fe collection, however, are filed by state and subdivision.) I started
this filing many years ago and just stuck to it.  It works and I don't need a
computer to find my slides.

Like many, I used to file slides to be accessible for slide shows.  I rarely
put on spontaneous slide shows these days, but rather pick and chose views I
want to use in shows.  Finding slides, therefore, is important to me; storing
them in slide-show order isn't.  My collection now primarily supports my
publishing efforts and the way I file slides meets that need.  To me, how you
file your slides isn't all that important as long as you can quickly find
what you are looking for.  If a computer database and yellow/green boxes are
your filing system, that's great if it works for you.  

In my opinion, the most important aspect of one's slide collection is not how
you file your collection, but how you document it.  Having been involved with
the publishing business for years, I place great importance on documentation.
 Very few of us started out taking slides for publications.  Having your work
published is just part of a natural progression as your collection gets older
and you get better at your photography.

To me, the most useless item is an untitled/undated slide, no matter what the
subject or quality of the slide.  Trying to come up with a caption for a
30-year-old untitled/undated slide is often exasperating.  I believe each and
every slide should have at the very minimum the date, location and name of
the photographer.  I think those who have systems where there are files of
untitled slides on one hand and a computer or manual log system on the other
are just asking for a tragedy.  If something happens to the computer or the
log, the entire collection becomes instantly far less valuable as a resource.
 The tragedy usually come after one's death when the log is separated from
the slides or the computer goes its way.  And, our memories grow dim as time
passes.  I visited a photographer the other day to pick out slides for a
book.  Most of the slides were dated, but many didn't have locations stamped
on them.  The photographer said he thought he would always remember where he
took his slides.....but he doesn't.  He has forgotten many of the locations.
 

When I get a box of slides back from the processor I review the contents and
if there are any bad slides (i.e., bad exposure, composition, etc.) I throw
them away and title, date, sort and file the rest.  I have always done so.
 Obviously It takes time and sometimes I get behind, but I manage to catch
up.  I use a printer to title/date slides so I put a great deal of
information on them, including the date, milepost location, time of day, all
consist engine numbers, train symbol/direction, etc.  If I were still titling
by hand, I obviously would skip some of these items.  When in the field, I
try to take good notes so that I can refer to them for additional
information.  The important thing to at least have the basic information on
each slide.

The important thing is to think about how your collection will be used in the
future...your future and after you are gone.  Will your photographs
contribute to history, or just confuse it?  Will the resouce value of your
collection disappear when you do??  Give it some thought.

Joe McMillan
Arvada, Colo
--> SPORRS: Serious Photographers of Railroad Related Subjects

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