Many valid points are raised in John B., Lara, and Mr. Frailey's posts.
Present economics would suggest that to do a high quality photo
intensive
rr book is a break-even for the author.  It shouldn't be this way but
the publisher holds all the cards (especially the large publishing
houses)
Probably the only way these books get published at all with a retail
price around the $50.00 mark, is through photographers sharing their
work
in exchange for a book.  There should be a concerted effort to change
this but the railfan market is quite small and the larger publishers
could easily live without doing our books.  How about about the smaller
specialty houses like Morning Sun Books etc? Do they make money?
On the other hand, magazines make money and should pay competitive rates
for photo use.  Magazines are frequently thrown out after a month and
your photo with it.  Books are "forever" and are the ultimate way to
share your work in one manner.  Quite some time ago we had a discussion
about the life of your work after you pass on and a presence in a book
would lend a bit of immortality to your photography.  I'll stop rambling
as I am venturing into wild speculation.  We have (or had) some other
book authors on board: what are your experiences?

Mike Gardner
--> SPORRS: Serious Photographers of Railroad Related Subjects


Reply via email to