A SPORRS subscriber wrote: > Generally, I've found that if the film is exposed accurately, and if > the film is processed properly, that the color saturation and contrast > of Professional versions of K25 and K64 are noticeably better than > regular 25 or 64. Due mostly, I believe, to the fact that ProK25 and > ProK64 are optimally aged. I have seen a bad lab make K64 slightly > greenish, and another lab has make K25 slightly too blueish. Choose > your labs carefully. I use the pro K25 all the time - I like it very > well for full-sun blue sky shots.
Has anyone tried the new Kodak Kodachrome mini-labs yet? Are they in Plastic slide mounts? Inquiring minds want to know, even if they shoot Fujichrome (and have them processed locally and mounted in plastic). My film of choice is not Kodachrome, but I will use it if a customer requests (happened once in the past year). Dave Cohen Photographer [EMAIL PROTECTED] http://www.anet-stl.com/acphotog -> SPORRS: Serious Photographers of Railroad Related Subjects -> Web Site: http://www.anet-stl.com/acphotog/sporrs
