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I've been using E100SW since it was first brought to my attention by Dave Cohen last year. I love the stuff. Reasons: it's stable as far as consistent results go between lot #'s, variance is at a minimum; it's great for cloudy or low light conditions; I pushed it one stop on my Essex, Montana trip last year due to clouds, rain/snow, and had great results. I was standing next to Charlie Dischinger when he took his award winning shot at Blacktail, (April, TRAINS), Way to go Charlie! I believe he was using a Fuji film; I went for the cover shot doing a vertical at that location and comparing his published photo to my slide shows little if any color difference. We're splitting hairs sometimes when we talk about certain film differences. But anyway, the grain is tight on my shot and very acceptable at the pushed level. Above all else, I've found a professional lab here in Kansas City that knows what they're doing AND I can get back my slides in 2 hours! For added protection, the lab suggest running my film in the morning after the first chemistry test strips are run. For the most part, it's the only film I use. The color is great; but everyone's interpretation of color is very subjective. I highly recommend experimenting with this film, especially if you have a good E-6 source. Bill Siegel ======================================================= -> SPORRS: 'Serious Photographers Of Railroad Related Subjects' -> Web Site: http://www.anet-stl.com/acphotog/sporrs/ -> Message © 1998 SPORRS® - All Rights Reserved =======================================================
