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>Greg writes:
>    A little dig at the orangish nature of some of the recent vote
>getters (note: not winners) that calls for a little comment.  I once
>asked this forum why the orange shots did so well in vote. I suspect
>there's some trip some subconscious button in out head.  I also suspect
>that rich color stands out compared to some of the other shot listed
>along side of them.  

  Choosing one shot for the shot of the month out of the many 
images on the SPORRS site isn't easy.  They've already had to
pass muster once to get on the page in the first place, so they're
all good images.  When I look(ed) at the SPORRS page to choose a 
shot of the month, it was often something unusual that set one 
shot out from the another - unusual lighting, unusual perspective, 
etc.  The orangy light of sunset is unusual - you don't (or at least
I don't) often get to see trains at that hour of the day.  My pick
for June was Don Bowen's backlit locomotive shot.  I wish that phone
pole wasn't sticking out of the coupler (Photoshop to the rescue?), but 
otherwise, it's a handsome shot that stands out from virtually everything 
else.  The sunlit double stacks are similarly an interesting perspective 
in interesting light.  One feature of both images is how "sanitized" 
they look.  The foreground is "black," the background is sky - the 
surrounding environment never encroaches on the train...except for 
that phone pole.

>    Oh yeah for those of you who argued for mid day, harshly lit shots I
>think the great golden hours of light early and late in the day that was
>present for the orange shots speaks to why these type of shots are
>generally more pleasing to the eye than the other types.  Personallyt my
>SP military train in CA and the BN Mac's in NE suffered because the
>light had already flatten out the image to far.  

  Frankly, that shot of the BN MACs was one of may favorites when I
first visited the SPORRS page.  I was particularly attracted to the
shadow - your perspective and the sun angle are just right to 
capture the shadow showing the gap between each car.  A shot later in 
the day would not have had the same effect.


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