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Return to Grrrlville: a night of short documentary films by women

Thursday, June 29th

7:30pm-10:00pm

$5-$10 sliding scale

----/ Event Description /-----------------------------------------------

"Return to GRRRLVILLE" is a follow-up event to last winter's wildly  
successful "Straight Outta GRRRLVILLE" screening. "Return to  
GRRRLVILLE" will exhibit another set of documentary films by a  
diverse group of Bay Area women filmmakers. The purpose of GRRRLVILLE  
is to bring to the public intimate stories by women of all walks of  
life, and to celebrate the inspiring talent of some of SF's finest.

Represented in these stories are testimonials by Trans/Queer/ 
Genderqueer women, Dyke, Punk, and Jewish women, African-American,  
Latina, and Asian-American women. These rich films include stories of  
passion, love, triumph, sex, joy, and tragedy--stories about  
mermaids, fathers, gender, and lesbian relationships, among others.

Please join us for another terrific night of life-changing cinema.  
Films will be followed by Q and A with filmmakers.

Featuring:

A special sneak preview of the trailer for "Godspeed" the movie, co- 
directed by Shani Heckman and Lynn Breedlove, coming Spring 2007  
(www.godspeedfilm.com)

"80 Layers of Me (That You'll Have to Survive)" by Tricia Creason- 
Valencia
Who would guess that cheerleaders, maligned as the airheads and sluts  
of the high school social scene, would grow up to be radical women?  
This film gives voice to three spunky women of color who are  
determined to improve the lives of people-senior citizens, working  
women, farm-workers-in their communities.

"My Beard" by Marina E. Wiesenbach
A short piece about the life and motivations of a woman's beard.

"The F Word" by Marcia Jarmel and Erin Gallagher
Created to inspire dialogue and debate, this irreverent, visually- 
engaging documentary gets to the heart of feminism by dismantling the  
word and its many meanings. "The F Word" is an ideal discussion  
starter on issues related to gender, sex roles and stereotypes, and  
the history of the feminist movement.

"Cut" by Sally Rubin and Elizabeth Pearson
Examines the complications of teenage boys' body image, and explores  
the relationship between physical shape and social/self-acceptance.

"Each One Teach One" by Lila Place
A prison inmate discovers the freedom of art while in jail, and on  
the outside uses art to counsel youths in a positive direction.

"Night Visions" by Kathy Huang
Since September 11, 2001, over a million Americans have served in  
Iraq and Afghanistan. "Night Visions" takes a rare look at the  
lasting effects of military duty on one soldier--- a young man who  
joined the U.S. army for idealistic reasons but emerged a very  
different person. Through his intimate interviews and personal  
footage of Iraq, we come to realize that the greatest casualties of  
war are not always visible to the naked eye.

"Howdy Partner" by Christie Herring
Playfully explores the meaning behind a word that has become a social  
convention.

"Lesbians" by Sarah Garmisa
A whipsmart portrait of intimacy in the digital age.

"Birdlings Two" by Davina Pardo
The filmmaker revisits a computer-animated film her father made when  
he was 20, exploring the relationship between art and invention,  
hopes and disappointment, and fathers and daughters.

"City of Mermaids" by Leah Wolchock
The story of preserving Florida kitsch, told through three  
generations of mermaids at Weeki Wachee Springs.  The film traces the  
rise and fall of an aging water park eclipsed by Disney and now  
struggling to survive.  Is there a place for mermaids in the modern  
era of post-feminism?  Can the memory of popularity keep a roadside  
attraction alive?

"Afloat" by Erin Hudson
 From the intimate vantage point of a senior community swimming pool,  
water and time suspend both body and memory. This film is a gentle  
meditation on growing old, staying young, and living life.

"Sigmund Freud: Professional Psychoanalyst" by Jen Gilomen and Kami  
Chisholm
This hilarious and brilliant pseudo-documentary imagines a day in the  
life of the infamous Freud... except, in this fantastical film, all  
of his clients are well-known dolls and puppets.


----/ Venue Info /------------------------------------------------------

The Women's Building
3543 18th Street
San Francisco
415-431-1180
http://www.womensbuilding.org/

http://www.womensbuilding.org/public/about/contact.html

----/ Additional Info /-------------------------------------------------

[EMAIL PROTECTED]
415-216-6147
http://www.salllyrubinfilms.com


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