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I saw this play Wednesday night and I guess because I have been doing dp
work for so long, I just kept shaking my head and saying "yes, yes" that's
how it is.

I also thought about my friend who was executed in North Carolina in 1999 -
who was as innocent as anyone portrayed that evening

David Stamps
[EMAIL PROTECTED]
Tel: 218.724.1779  Fax: 218.728.1227  Mob: 218.522.1033


-----Original Message-----
From: Dan Dobson [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, April 07, 2004 9:46 AM
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
Subject: Flirting With Death - The Exonerated - at the State Theatre


Ordinarily I would not post a review from a play and
some people are saying, What's the Minnesota Political Connection?".  With
Governor Pawlenty pushing the death penalty, to cover up the mistakes of his
Department of Corrections, I believe that this powerful play is both timely
and urgently needed.

Wonder if I can get two tickets for the Governor?

Dan Dobson
Saint Paul
[EMAIL PROTECTED]

======================================================
Flirting With Death 
 
The Exonerated - at the State Theatre - through April
11 - 612.673.0404
 
How an unlikely date led to the writing of 'The
Exonerated'

by Dylan Hicks

Savvy courters know that the romantic prospect with a
future is the one who seems unusually curious,
easygoing, and pliable. Often this means the potential
paramour will cheerfully participate in potentially
boring or unsavory activities such as street-rod
expos, fox-trot lessons, and, apparently, conferences
on capital punishment. Jessica Blank and Eric Jensen
had been dating for a month when they attended a forum
on the death penalty held at Columbia University. It
wasn't something that Jensen particularly wanted to do--according to Blank,
he was "dragged"--but a date is a date. 

In the end, both conferees were deeply affected by the
event, especially by live-via-telephone testimony from
a death-row inmate. From that experience, Jensen and
Blank, both actors with no playwriting experience,
began work on The Exonerated, which will bring Brian
Dennehy and Lynn Redgrave to the State Theatre this
week. The finished show is a theatrical documentary
based on interviews with wrongly accused people who
were once scheduled for execution. After securing a
theater for three nights in November--which meant they
really had to turn their idea into a play--Jensen and
Blank spent much of their Y2K summer driving around
the country doing interviews with 20 exonerated
death-row inmates. 

"Our relationship was founded on the exonerated," says
Blank. "We actually got engaged while we were on the
road. Meeting these people and hearing their stories transformed both of us
completely." After the interviews were done, producer-actor-director Bob
Balaban, who had earlier directed Jensen, took an interest in the project
and got Tim Robbins and Susan Sarandon to perform in the show's November
premiere. Since then, the play has toured the country, and its rotating cast
has included Richard Dreyfus and Mia Farrow. 

Six of Jensen and Blank's 2000 interviews, plus court transcripts and case
files, provide the raw material for the simply staged production. Six
actors, who generally remain seated, depict the wrongfully accused, while
four swing actors play cops, lawyers, and spouses. One of the show's
subjects is Tyler, Texas, native Kerry Max Cook, who spent 22 years on death
row. In 1977, he was arrested for the rape and murder of a young woman he'd
had an assignation with, three months before the crime. Although much
evidence pointed to the victim's married boyfriend as the prime suspect,
Cook was convicted and sentenced to death. Cook, who is straight, had worked
in a gay bar, which led the prosecution to paint him as a "murderous
homosexual." In prison he was gang-raped and had a degrading message carved
into his backside. Also during Cook's time on death row--in 1999 he was
cleared by DNA evidence--his brother was murdered in a bar fight.

Stories like this, which suggest the Book of Job
updated by Kafka, are already the stuff of high drama
and tragedy. For their retelling, the show's creators
have tried to be as transparent as possible. "We
realized that it was our job as playwrights to get the
hell out of the way, and not to start preaching," says
Blank. "It's a documentary theater piece, so once the
actors start emoting, it's over. It's about simple storytelling, but a lot
of work goes into that simple storytelling, which in hands of good actors,
becomes invisible." 

The Exonerated - at the State Theatre - through April
11 - 612.673.0404


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