Can anyone enlighten me or point me to materials which explain the workings of the Dominance control variable in first order ambisionics decoding?
I have a decent conceptual understanding of the matrixies involved in soundfield rotations and the derivation of virtual microphone patterns and vectors, as well as emprical experience with the use and practical limits of the Dominance variable as realized in the 'Zoom' control function in VVMic for Tetramic. However I'm looking for a deeper understanding of what the Dominance control is doing. Thanks and regards, Lee -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20110425/ddb4f402/attachment.html> _______________________________________________ Sursound mailing list [email protected] https://mail.music.vt.edu/mailman/listinfo/sursound
