Fons:
 
> I wonder what the function of the Ambiophone part of this system  is.
 
For HSD 3D, the L/R speakers are indeed 8-degrees apart and operate  
through X-talk cancellation to produce the FRONTAL component.

> If it  works in the way its invertors claim it works (that is by
> crosstalk  cancellation) it can't even handle two people sitting
> side by side. 
 
I have spent a few hours at Ralph Glasgal's place listening to his  *impre
ssive* setup, as well as listening on a variety of lesser configurations  
that he also has -- overall probably hearing 30+ stereo recordings.
 
It works!  Which is to say that there is a significant multi-person  
sweet-spot and what appears to be good localization of the performers, as well  
as 
an interesting "synthesis" of the performance hall.
 
Ralph has showed his system to many attendees to various at NY AES meetings 
 (and many others) and has made the technology widely available.  I'd  
suggest that you try it out and come to your own conclusions.
 
In addition to L/R, the HSD 3D rig that Robin uses (as well as my "demo"  
system) has 4x planar and 4x Z-axis speakers.  You are sitting in the  middle 
of a "cube-on-edge" but you will have to go to his studio to hear  that.  
 
These 8 speakers are supported by 4-channels which I presume are some  
encoding of FOA.  So, the total system is carried by 6-channels, making it  
compatible with 5.1 distribution technology.
 
None of this was designed to "impress" Sony.  That was my idea, since  I 
happen to know some senior execs there.  The system had been around for  quite 
awhile before I came along and wasn't changed at all.  
 
While they were interested enough to take some meetings, Sony isn't  really 
a single *company* and those who are involved with sound  technologies to 
accompany 3D television work in Tokyo (or San Diego).   Execs in NYC have no 
ability to even ask them to take a look at something  new.  Case closed. <g>
 
Mark Stahlman
Brooklyn NY
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