I hope "plenum" is not simply being treated as  simply synonymous with
reverberation. I am not privy to the Gerhard materials being worked on, but
I would expect him to have some specific, maybe related, but distinct
meaning in mind. My guess is that it would relate to the primary sound
itself, rather than environmental effects (real or otherwise). The melody
as distinct from the accompaniment, so to speak.

Richard Dobson

On 19 April 2012 19:46, Ronald C.F. Antony <[email protected]> wrote:

>
> On 19 Apr 2012, at 19:53, Martin Leese <[email protected]>
> wrote:
>
> > umashankar mantravadi <[email protected]>
> > ...
> >> apart from
> >> clean reproduction of reverberation, i note the speakers do not have to
> put
> >> out much power - compared to the same recording converted to stereo and
> >> played from a conventional pair of speakers. is this a dataset that
> could
> >> sell ambisonics?
> >
> > The same was true of the Hafler circuit (which
> > I used for 18 years), so it is unlikely to be the
> > "killer app" that sells Ambisonics.
> >
> > For those unfamiliar with a Hafler circuit, see:
> > http://members.tripod.com/martin_leese/Audio/HaflerCircuit.txt
>
> Class D amps, done properly, are both very high-fidelity, and about an
> order of magnitude more power efficient, than e.g. a Class-A amp.
> Unfortunately, the Audio snake-oil sales people manage to convince
> customers that unless you can fry eggs on your amp and it has a 2
> square-foot, half-inch-thick brushed aluminum front plate, it's not a
> he-man amp...
> ...so reduced power uptake is not going to sell Ambisonics, at least not
> in the traditional audiophile circles. Maybe a green-audio angle could be
> used to get a different sort of clientele excited and asking about
> Ambisonics.
> And of course, a green/alternative/acoustic/folksy kind of audience might
> also appreciate a more realistic ambience of corresponding music than the
> typical classic-rock or multi-mic-classical-music enthusiasts.
>
> Ronald
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