Hi Sero,
I use ICST quite a lot as well - I do as you say and just apply the
effects to the signals before sending them into ambipanning~
I'm not sure why converting to from B - format A - format will
necessarily allow you more creative possibilities - I'm not really
sure why you would do that,  A - format as I understand it is just the
raw recordings that come out of a microphone ?
You can see a patch Ive made here for spatialising audio in 3d with a
wii controller (an electroacoustic granular magic wand):

http://www.youtube.com/watch?v=7cmodvSM5jE

Id be happy to share knowledge patches etc ,
cheers,
Gus




On 03/06/2012, SERO SERO <[email protected]> wrote:
> Hello list,
>
> This is my first post here so please be patient if I am doing something
> wrong with the replies.
>
> I am working on a patch in MAX 6 for Ambisonics reproduction for a jazz
> band and I am looking in creating a series of FX that can be encoded in 3rd
> order.
>
> My main understanding is that for a delay FX type (and any other fx that
> affects the phase of the signal) I need to convert the B-format signal to
> A-format, then apply the fx I want and then reconvert to B-format.
>
> Does anyone can point me to any resource I can use to understand both
> conversions?
> Also can you share a patch u have done in Max (if anyone use it) I can use
> as a reference?
>
> I use the ICST tools in Max 6 for all the ambisonics processing.
>
> I am already using the trick of applying delay FX to a mono source before
> enconding and then use rotation of the sound field to create ping pong like
> fx but I would like to do something more creative.
>
> Thank you very much
>
> Regards,
> Sero
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