hi!

mr gregory pallone just brought the mpeg-h workshop to the attention of the sursound mailing list:

On 07/06/2012 01:33 AM, [email protected] wrote:
Hello, I'm new to this group (even if my colleague Jerome (Daniel)
shares sometimes info about it) so I hope you will excuse my usage
of this list for the following information and questions ... The
MPEG audio group is about to start a standardization process in order
to create a 3D audio codec. As 3D audio experts, you are welcome to
assist freely to the MPEG-H 3D Audio Workshop in Stockholm on July
the 18th (all details here:
http://www.audioresearchlabs.com/mpeg-h-workshop/101-3D-AudioWorkshop.pdf)

very interesting event! unfortunately, i have heard about it only now, and won't be able to attend on such short notice, but please keep me posted about future events if possible.

> This codec should have the ability to flexibly render an audio
program to an arbitrary number of loudspeakers with arbitrary
configurations. I think it could be a good opportunity to make it
also support HOA format (as input of the audio encoder, output of the
audio decoder, or both), and not only classical "multichannel"
formats such as 5.1, 7.1, 10.2, 22.2... In this context, could you
please send an email before July 11th to
[email protected]<mailto:[email protected]> indicating in
just several sentences:

-          if you support HOA format as an input of the future 3D
audio encoder, and why (what use-cases?)
-          if you support HOA format as an output of the future 3D
audio decoder, and why (what use-cases?)


i definitely support higher-order ambisonics as an internal data representation of a future 3D audio format, and also for input and output, because of its scalability and independence of loudspeaker layout.

-          please indicate also what is your point of view: content
creator, capturing or rendering device manufacturer, researcher,
developer ...

besides my work as a sound designer, event engineer and audio consultant, i'm an independent researcher and recordist of HOA content. my arguments for the use of HOA can be found in some project reports i have published:

a small jazz/pop production in HOA:
http://stackingdwarves.net/public_stuff/linux_audio/lac2010/Field%20Report-A_Pop_production_in_Ambisonics.pdf

a large contemporary classical production in HOA
http://stackingdwarves.net/public_stuff/linux_audio/lac2012/J%c3%b6rn_Nettingsmeier-Field_Report_II-Chroma-Screen.pdf

HOA as a solution to speaker layout incompatiblity:
http://stackingdwarves.net/public_stuff/linux_audio/ambisonic_symposium_2010/nettingsmeier_ambisonic_systems_for%20electro-acoustic_concerts-rev3.pdf

the size limits of large-scale HOA systems:
http://stackingdwarves.net/public_stuff/linux_audio/ambisonic_symposium_2011/AmbiSym2011-Nettingsmeier-Dohrmann_Large-scale_HOA_Systems.pdf


best regards,


jörn




--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487

Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT

http://stackingdwarves.net



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