OMG!

"It's designed like a crisp cathedral and the sounds bounces around you
with synchronicity and thunder. The actors' voices are like gods talking
from a higher plain of existence."

Still, to answer your question - it would be simple enough to pan the feeds
(_if_ you could get access to them) into an Ambisonic soundfield,
preferably a HOA one but even POA should work.

On 24 June 2013 21:36, Martin Leese <[email protected]> wrote:

> This is an article on Dolby Atmos.  It looks like
> this technology is up and away, what with "Star
> Trek Into Darkness" and the Empire Cinema in
> Leicester Square, UK.
>
>
> http://eandt.theiet.org/magazine/2013/06/vastness-of-sound.cfm?utm_source=Adestra&utm_campaign=Design%20%26%20Production%20-%20AUTOMATED%20EXTERNAL&utm_medium=Newsletters-Subject%20News&utm_content=Design%20and%20Production%20News&utm_term=http%3A%2F%2Feandt.theiet.org%2Fmagazine%2F2013%2F06%2Fvastness-of-sound.cfm&utm_contact=15218621
>
> (Sorry for the long URL, but this website is now
> restricted.)
>
> Has anyone looked at how to play Dolby
> Atmos using full-sphere Ambisonics?  The
> former is intended for cinema use, while the
> latter is a lot more suitable in a domestic
> setting
>
> Regards,
> Martin
> --
> Martin J Leese
> E-mail: martin.leese  stanfordalumni.org
> Web: http://members.tripod.com/martin_leese/
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>



-- 
-- 
As of 1st October 2012, I have retired from the University.

These are my own views and may or may not be shared by the University

Dave Malham
Honorary Fellow, Department of Music
The University of York
York YO10 5DD
UK

'Ambisonics - Component Imaging for Audio'
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