No worries - I have absolutely no problem with artistic motives, been working with artists all my life!
Dave On 7 October 2013 17:55, Kan Kaban <[email protected]> wrote: > Thanks a lot for those papers. Beautiful. Same month & year of my birth. > Yes, I´ll do ambisonics and I´ll stay analogue as much as I can. > > There is a motive, but it is an artistic one. So, seems non sense to try > to explain it here. > You will just throw stones in my head just for that idea. > > Thanks a lot to everyone who´s been really helpful. > KK. > > > I agree with Jörn, doing this in analogue, today, for anything else than > > enacting a zen koan to enlighten apprentices, seems decidedly weird... > but > > that's part of the point about art, right? If you really, really want to > > do analogue Ambisonic stuff, I suggest you look at the two (hand > written!) > > reports on Ambisonic technology Michael Gerzon wrote for the NRDC. > > I've put them in my Dropbox folder... > > > > > https://www.dropbox.com/s/f5szcb2kty2x871/NRDC_technology_report_4_rotate.pdfand > > > https://www.dropbox.com/s/93dybs6uubfa567/NRDC_technology_report_3_rotate_b.pdf > > _______________________________________________ > Sursound mailing list > [email protected] > https://mail.music.vt.edu/mailman/listinfo/sursound > -- -- As of 1st October 2012, I have retired from the University. These are my own views and may or may not be shared by the University Dave Malham Honorary Fellow, Department of Music The University of York York YO10 5DD UK 'Ambisonics - Component Imaging for Audio' -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20131009/4c2f5e44/attachment.html> _______________________________________________ Sursound mailing list [email protected] https://mail.music.vt.edu/mailman/listinfo/sursound
