<div dir="ltr">There's a big section on immersive audio audio at the AES in
Paris - but no mention of Ambisonics that I can see :-(<br><a
href="http://news.aesshow.com/2016/02/immersive-audio-track-takes-140th-international-aes-convention-in-paris-fully-dimensional/";>http://news.aesshow.com/2016/02/immersive-audio-track-takes-140th-international-aes-convention-in-paris-fully-dimensional/</a><br
clear="all"><div><br></div><div>Â Â Â Dave<br></div><div>-- <br><div
class="gmail_signature"><div dir="ltr"><div><br>As of 1st October 2012, I have
retired from the University.</div><div><span
style="border-collapse:collapse;color:rgb(34,34,34);font-family:arial,sans-serif;font-size:13px"><br>These
are my own views and may or may not be shared by the University<div><br>Dave
Malham  <br>Honorary Fellow, Department of Music   <br>The University of
York <br>York YO10 5DD<br>UK</div></span><br>'Ambisonics - Component Imaging
for Audio'</div></div></div>
</div></div>
It’s normalWe are some
users of ambisonic techniques in France, for the artistic creation.But the
most important engine is the BiLi project which is oriented binaural listening
and
to arrive at the desired result, the searches take the way of “mixing
objects”.It is not
strictly speaking an ambisonic technology even if footbridges are very
numerous.And we work
on itI think
that it is one pre-program, because in the Bili consortium, we find Jêrome
Daniel to whom we owe (enter other one) our passion. And the pleasure to find
us in "shorts".
16 years
after the AES 2000, the Ambisonic does not have to show any more its ability.
Jean-Marc L'HOTEL
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