Interesting work. I've been playing (in a non-scientifically precise manner) with ambisonic recording for video. It was motivated by the observation that, for my ear in the binauralised set up I use, speech in ambisonic recordings feels more intelligible at lower levels.
What is confusing interference in traditional close mic recordings becomes more resolvable in ambisonics. My subjective impression is that all the harmonics and resonances orientate the sounds. I was curious as to whether you feel the use of an anechoic chamber might have suppressed these effects and made the voices behave more like close mic'd sources in a traditional sound mix. Gary On Wed, 4 Mar 2020, 23:58 Axel Ahrens, <[email protected]> wrote: > Hello List, > > We have just published a paper on speech perception with ambisonics > reproduction (different orders). > You can get it here (Open Access): > https://asa.scitation.org/doi/abs/10.1121/10.0000747 > > Let me know if you have questions. > > Best, > Axel > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mail.music.vt.edu/mailman/private/sursound/attachments/20200304/8be4163a/attachment.html > > > _______________________________________________ > Sursound mailing list > [email protected] > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > edit account or options, view archives and so on. > -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20200305/a0a2a64b/attachment.html> _______________________________________________ Sursound mailing list [email protected] https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
