Hi All,

In case you missed it:

https://www.newsshooter.com/2020/04/24/rode-microphones-releases-free-ambisonic-sound-library/

Hope you’re all bearing up under the lock-in,

David

---

Dr David Worrall

Professor, Audio Arts and Acoustics

Columbia College Chicago

33 E. Ida B. Wells Drive Room 601A

Chicago, ILLINOIS, USA 60605

Wikipedia:David Worrall <https://en.wikipedia.org/wiki/David_Worrall_(composer)>

Personal research/creative practice website:avatar.com.au <http://avatar.com.au/>

Some music/sonification:on soundcloud <https://soundcloud.com/david-worrall-8849455> Youtube videos <https://www.youtube.com/playlist?list=PL9vjIQ8ca6oOnhOs1fMq1DqhoaxXV-9i0>

New Organised Sound issue (25/1):Computation in the Sonic Arts <https://www.cambridge.org/core/journals/organised-sound/volume/C868728E57C2FEF58217164D7F862577>

New Book:Sonification Design: From data to intelligible soundfields <https://www.springer.com/gp/book/9783030014964>(Springer)

                    (also available throughAmazon <https://www.amazon.com/Sonification-Design-intelligible-soundfields-Human-Computer/dp/3030014967/ref=sr_1_fkmrnull_1?keywords=worrall+sonification&qid=1553803176&s=gateway&sr=8-1-fkmrnull>)

*From:*Sursound <sursound-boun...@music.vt.edu <mailto:sursound-boun...@music.vt.edu>> on behalf of Steven Boardman <boardroomout...@gmail.com <mailto:boardroomout...@gmail.com>> *Reply-To:*Surround Sound discussion group <sursound@music.vt.edu <mailto:sursound@music.vt.edu>>
*Date:*Friday, December 14, 2018 at 04:42
*To:*Surround Sound discussion group <sursound@music.vt.edu <mailto:sursound@music.vt.edu>>
*Subject:*Re: [Sursound] Comparison Sennheiser Ambeo mic vs. Rode NT-SF1?

Hi Stefan

One can use multiple instances to create as many beamformers as one needs

to upmix or extract. One doesn't need to be constrained to 7.1 or 5.1

positions, as all beamformers can be moved. Although in pairs and a

separate centre channel, which is a pain.

As i mentioned earlier, it good at this, a lot better than the usual

virtual first order mic. As one can suppress the rear lobe. It is

definitely sharper as well.

I can't compare it directly to Harpex as i don't have the full Harpex

version, just the algorithm in Blue Ripples Harpex up mixer. (which i use

all the time)

The Rode plugin is free so try it. I am not sure why, as I think users

would pay for its decording. I am now using it regularly.

Best

Steve

   .”

   - - - -

   They don’t mention this, in fact this seems to be a kind of Facebook

   speculation...

   Other sources:

   https://digitalfilmmaker.net/rode-soundfield-nt-sf1-ambisonic-microphone/

   So in my understanding you can’t simulate a high-resolution ambisonics

   to 5.1 decoding (for example) with 5 virtual shotgun mikes. Because

   the “shotgun capsule responses” won’t add up to a 5.1 microphone at

   all... (The 5.1 mike capsule responses should be rather cardioid, and

   a coincident stereophonic 5.1 microphone ain’t be good either.)

   It is even less clear how a supposed new parametric ambisonics

   decoding process should work, because such a thing is neither

   explained nor even mentioned by Rode - and I don’t see any function to

   test...

   Do I miss anything? Of course it would be quite sensational if Rode

   should have invented a new form of FOA upsampling AND would give this

   away “for free” in some plugin. (AND then not promoting this

   sensational feature...)

       But I highly doubt it...

   Best,

   Stefan

   P.S.: But in case I should be wrong, it would have been me to provoke

   a reaction from Rode which would < unveil > a very hidden and

   insignificant superresolution feature. 😎

   .

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