The concept of "how best" to write something got me wondering about the 
following. 

Using an alphabet or a syllabary (like most of the languages of the world 
excepting Chinese, Japanese, Mayan, and a few hundred others)  how much "space" 
does it take to convey our meaning.*

Here's the question: if we relax the rules of English orthography just a bit, 
so that instead of writing from left to write, we write from left to right, or 
downward, or inward (by allowing glyphs to be "inside" one another) , can we 
write legibly in less space?

http://granite.sru.edu/~ddailey/svg/canonical.svg

This link shows a way of packing letters into a space under the relaxed rules 
of right-or-down-or-inside.

If we confine legibility by some empirically defined threshold on the minimum 
size of a glyph, then if we allow physics to constrain the two dimensional 
placement of our glyphs, subject to rotation scaling and translation, to pack 
tightly, then can we find ways of expressing English (or another language using 
some alphabet) using less space than by writing simply unidirectionally?  

Vincent Hardy's work with cameras at http://svg-wow.org/blog/2010/08/14/camera/ 
reinforces this idea that writing need not be unidirectional. And from many 
languages we know that it need not be. By what grammar might we guide the 
maximization of our expressiveness per unit of space and time?

cheers
David

* As a kid I subscribed to Quino Lingo and observed that English took up far 
less room, on average, that French, Spanish, Italian, Russian, German, Latin or 
Basque. I studied Navajo as a big kid and can testify that it takes up *room* 
to write it, though not so extravagantly as most languages. Chinese seems to be 
quite effective. 

  ----- Original Message ----- 
  From: ddailey 
  To: svg-developers@yahoogroups.com 
  Sent: Sunday, November 07, 2010 11:31 PM
  Subject: Re: [svg-developers] canonical expressions -- part 2: A challenge: 
accessbility and symbols of the public domain (wikipedia)


    
  Challenge: come up with "better" symbols for signifying "public domain" or 
"copyright free."

  Begin here http://granite.sru.edu/~ddailey/svg/pd3.svg . Look at the source 
code and then see what you think. I'll get back to that example toward the end 
of this message.

  As a bit of searching in Google Images*, Wikipedia and Wikimedia Commons will 
reveal, there are several symbols meant to depict the concepts of "copyright 
free" or "public domain" or "copyleft." Not only do these concepts have 
slightly different nuances of meaning, but the symbols have a many-to-many 
relationship with the concepts. And furthermore, the symbols have differential 
levels of accessibity, depending on for whom we define "making" "allowing" or 
"enabling" to be accessible. And, many of the symbols, while looking alike, 
have very different underlying file structure.

  Following a recent visit to openclipart.org** I was rather prepared for what 
Jeff Schiller calls "cruft" when I saw the earlier image at 
http://commons.wikimedia.org/wiki/File:Publicdomain.svg
  as described there.I did the following [Hand edited to remove sodipodi and 
inkscape references, remove unused gradients, remove unused styles, replaced 
duplicated paths by <use> elements, simplified complex cubic beziers as simple 
arc subcommands; used integer arithmetic. Replaced complex arcs by circles. New 
file is 18 (<lkb) lines of code -- old file was 144 lines (>5kb). New file 
should have better semantics for re-editing basic objects.]

  Well 18 lines and 895 bytes defintely seems better than 5 kilobytes of code. 
But is the new code more accessible? Well, I think it is, but how can I tell 
for sure? How does one come up with the "best" expression for such a simple 
figure?

  Look inside the two figures and you'll see several questions that pose 
themselves: 
  is it better to use <use>?
  does striking all the sodipodi stuff erase some of the artist's 
brushstrokes?***
  are two paths with one rotating the other better than one that has twice as 
coordinates listed?
  doesn't it make more sense to let color be inherited from the group rather 
than individually defined for each path?
  what about the optical illusion of the letters pd for public domain? Should 
that be made semantic in our markup?

  I confess it took me a while of fidding to replace all those cubic beziers 
from Inkscape by the "canonical" arc-equivalents. But I figure that the seven 
coordinates (or so) that I used, instead of sixty or so in the original path 
ought to make the content more accessible to future analysists if anyone ever 
wants to modify it!

  Next question (and maybe more important):

  Take a look at http://granite.sru.edu/~ddailey/svg/pd3.svg

  The image on the left is one of the current images served by wikimedia as the 
symbol for "copyright free".[2] Perhaps it is based on [3] . Perhaps the 
metadata associated with the file should show its ancestry?

  The file history shows some well-deserved attempt to rid the file of unneeded 
complexity and cruft.
  The current image (in its eleventh incarnation on wikipedia). It consists of 
four circles and three rectangles. One of the rectangles looks like it has been 
added merely to carve out a portion of a circle to make it look like a "c." 
This doesn't seem very accessible. 

  So in my quick attempt, I put a "c" in the middle of the circle. I defined 
the circle as not two circles but one. I defined the rectangle as not two but 
one, and I defined the "C" as not two circles and a rectangle, but as a "c". I 
also made a stab at adding <title> and <desc> tags to describe the "why and 
what" of the file.

  So here is the challenge: can we come up with a better version of the symbol 
that what is there right now?

  Can we come up with one we will all agree is better?

  What I don't like about my attempt is that the "C" is dependent upon system 
fonts??? Changing from sans-serif to arial makes a huge difference in some 
browsers!

  Should the circle be one circle or two?

  Should the circle really be carved by a clipPath consisting of two arcs or 
should it be a circle with a line (rect) that crosses it? I chose a crossing 
line but was not convinced this was right.

  I stretched the "C" horizontally to make it appear to conform to the circle 
outside. Circles would have conformed better!

  What is the canonical <title> and <desc> information to go with the proper 
file?

  What is the proper way to refer to this discussion thread should we ever 
agree on my desire to replace the four circles and three rects 

  cheers
  David

  *I discovered to my great dismay that Ditto.com, as of about 6 months ago, no 
longer exists[1]. Their lawsuit paved the way for Google images which followed 
almost to the day the initial ruling in favor of Ditto.com.

  **After spending a bit of time reminding myself of why I (wearing various 
hats that I do) don't use more images from http://www.openclipart.org/ , I 
wrote a bit of script to help me find the relevant <path> objects (amidst 
gradients and filters that are never used) that actually draw the interesting 
shapes (assigning mouseover event that parse and modify the "style" of the 
active object). 

  *** I remember in the 1980's trying to help students (and a wife) recover 
their corrupted word-processed files and realizing that the archival copy 
actually contained not only the document but the "edit history" of the document 
including backspaces, deletes, copies and pastes!

  [1] http://srufaculty.sru.edu/david.dailey/copyright/legalthumb.htm 
  [2] http://en.wikipedia.org/wiki/File:PD-icon.svg 

  [3] http://en.wikipedia.org/wiki/File:Red_copyright.svg

  [Non-text portions of this message have been removed]



  

[Non-text portions of this message have been removed]



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