Good example.

In the case of PHC and the golden days, the program was crafted for
the radio audience, with audience "seeing in" on the radio craft.

That's different from a video craft for which audio is also available
-- the converse of that scenario.

Richard

On 2/14/07, Kevin Anderson <[EMAIL PROTECTED]> wrote:
> Yes, I agree, but...what is "live" radio?  Is Garrison Keiler,
> taped in front of a live audience in a theatre setting, still
> "radio" in its basic design or is it now a visual program?  Or
> all the live radio programs and remotes that have been done in
> the past, all the way back to the starting days of broadcast
> radio.  How they different from video in ways other than no
> close-up, and that one can hear it all only and be "satisfied"?
>
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