This is the third follow-up announcement to the first message posted to
the list February 7. Note the detailed scheduled for the masterclass on
music by Piazzolla given by Pablo Aslan on Friday afternoon, April 20.

TODO TANGO April 20-22, 2001
A weekend of Argentine Music and Dance at Emory University, with guest
artists Pablo Aslan, the New York Tango Trio, and Susana Miller.

Friday April 20
1:00   3:00 p.m.
MASTERCLASS Pablo Aslan with student music ensembles on music of Piazzolla
(for Emory music students, but open to the public to watch and listen)
Performing Arts Studio

 1:00
Libertango (arr.  for cello and piano)
Alex Lee, cello
Jeff Chin, piano

1:20
Four for Tango
Emory Honors String Quartet,
Jun-Ching Lin, coach

Eric Seo, violin
Nicole Szalay, violin
Megan Cramer, viola
Alex Lee, cello

1:40
Milonga del Angel
Jeff Chin, piano

2:00
Oblivisn ( arr. for violin, cello, and piano)
Na'im Fanaian, violin
Bryce Mendelsohn, cello
Drew Boles, piano

2:20
Cafi 1930
Nightclub 1960
Heather McCaffrey, flute
Parath Sharma, guitar

2:40
Tango Techniques for Bass Players
Amanda Wilson, Emory student
Edward David, Emory student
Joshua Doyle, Emory student
Moffett Morris, Emory staff
Doug Sommers - ASO

7:00   9:00 p.m.
LECTURE: "The Sound of Tango: A History Through Recordings," Pablo Aslan
>From the early tango bands of the 1910's to the latest recordings from
Buenos
 Aires, this class gives a sense of the variety and evolution of tango
throughout the decades. Moving chronologically, we will listen to the
elegant sextets of the 1920's, the first tango singers, the dance
orchestra boom of the late 30's and 40's, the sophistication of the 50's
and 60's, leading to the revolutionary creation of New Tango by Astor
Piazzolla. The music examples will be put in context of the social
evolution of tango and of Buenos Aires throughout the 20th Century.
White Hall, Room 206

9:15   11:15 p. m.
DANCE WORKSHOP # 1 with Susana Miller
Fundamentals of the tango, including posture, balance, axis, walking,
hearing the music, and basic choreography
Glenn Church School Building, Fellowship Hall (second floor)

Saturday, April 21  All workshops in the Glenn Church School Building,
Fellowship Hall
10:30 a.m.   12:30 p.m.
MUSICALITY WORKSHOP FOR DANCERS: "Tango Music Fundamentals for Dancers"
with Pablo Aslan
An introduction, in non-technical terms, to the fundamental building
blocks of tango music. Rhythm patterns played by the tango orchestra, the
different roles of the instruments, phrasing and form. Illustrated with
examples from recordings. Walking exercises to isolate the different
musical aspects allowing the students to try out appropriate steps for
each musical situation.

1:30   3:30 p.m.
DANCE WORKSHOP #2 with Susana Miller (Experienced/Prerequisite #1)
Connection, energy, and balance in basic figures, including ochos and
basic turns

3:45   5:45 p.m.
DANCE WORSHOP #3 with Susana Miller (Experienced/Prerequisite #1)
Rhythmic variations, combination of figures, and floorcraft

8:15 p.m.
CONCERT by the New York Tango Trio
An exciting mixture of familiar tangos and improvisation by these master
musicians!
Tickets are free, but required; call the Arts at Emory Box office at
404-727-5050, e-mail at [email protected], or on the web at
www.emory.edu/ARTS/TICKETS/index.html
Performing Arts Studio (Burlington Road Building, 1804 North Decatur Road)

9:30 p.m.
MILONGA (A tango dance party)
Dance the night away to live music by the New York Tango Trio!
Performing Arts Studio (Burlington Road Building, 1804 North Decatur Road)

Sunday, April 22
All events in the Woodruff P.E. Center, Dance Studio
12:00 - 12:45 p.m.
LECTURE/ DISCUSSION:  Relationship Between Music and Dance in Argentine
Tango
"Is the Music the Dance? Is the Dance the Music?" Kristin Wendland

1:00   3:00 p.m.
DANCE WORKSHOP #4 with Susana Miller (Experienced/Prerequisite #1)
Milonga with traspie, using a live recording of drums in an innovative way
to communicate the candombe beat at the heart of the milonga

3:15   5:15 p.m.
DANCE WORKSHOP #5 with Susana Miller (Experienced/ Prerequisite #1)
Rhythms of various tango orchestras, such as D'Arienzo and Pugliese, and
different choreographic choices

All music events are free and open to the public, thanks to a generous
grant from the Emory University Joint Activities Committee of Emory
College and the Campus Life Division, and support from the Department of
Music and the Concerts Division.

Dance workshops, sponsored by Tangueros Atlanta, are $25 per person, or
all five for $100, and free with an Emory ID.  Please register early! To
register for dance workshops, contact Barbara Ferrigno at
[email protected]

See the Tangueros Atlanta website at www.tango-atlanta.com

About the Guest Artists:
Argentine-born bassist, composer, and scholar Pablo Aslan has lived in the
United States since 1980.  He has recorded several CD's with his tango
groups Avantango, the New York Buenos Aires Connection the New York Tango
Trio, and has toured throughout the North America, Europe, and Russia.
Recently he toured the U.S. and Japan with cellist Yo-Yo Ma and members of
the Astor Piazzolla Quintet, and also appeared on PBS and ABC television.
He is also a member of Pablo Ziegler's Quintet for New Tango, with whom he
recorded and toured extensively in the U.S., Europe, and Japan.  He
appeared at Carnegie Hall and on PBS with "Tango Magic" and at the JVC
Jazz Festival, leading his own New York Tango Quartet.  Aslan is also a
member of David Krakauer's Klezmer Madness, with whom he appears regularly
in New York and has toured with in Europe in 1999, recording for Label
Bleu.

Aslan is also a scholar of tango.  The title of his Master's thesis from
UCLA is "Tango: Stylistic Evolution and Innovation." He writes regularly
for Tango Times, La Voz del Tango, and El Firulete, and he was
contributing editor of La Posta Tango. He has lectured on the history of
the tango at Wesleyan University, Stanford Tango Workshop, and he taught
at the CUNY Graduate Center this past fall.  His "Musicality Workshop" is
a favorite among U.S. tango dancers.  Aslan is also devoted to the
teaching of tango musical techniques to North American musicians, and he
holds workshops and masterclasses throughout the country.

Susana Miller is the most prominent teacher in the world today of the
"milonguero" style of tango.  The milonguero, or close embrace, style is
danced in the crowded clubs of central Buenos Aires.  It is a strictly
social style that emphasizes the connection between the couple and
musicality.  It uses compact choreography that creatively employs limited
space and respects the social dance floor.  Although apparently simple,
the milonguero style is a rich and complex form of subtle body signals
that profoundly respects tango's rhythms.

Susana has probably put more people on the dance floors of Buenos Aires
than any other single teacher.  Clarin, the major Buenos Aires daily
paper, called her one of the four most important influences on
contemporary tango, along with Miguel Angel Zotto, Gustavo Naveira and
Gerardo Portalea.

Susana is a native of Buenos Aires and has been dancing and teaching tango
for more than a dozen years.    She founded and operates her own tango
academy in Buenos Aires and is the owner and operator of one of B.A.'s
most popular tango clubs, El Beso.  She has made annual teaching tours to
the United States and Europe since 1994.

She will help students improve posture, axis, grounding, breathing,
balance, and sensitivity to the lead and follow roles.  She aims to
encourage dancers to develop their own unique improvisational styles
through knowledge of the music, space and body.  Her classes will
emphasize step quality and rhythm. Rather than predetermined patterns, she
will impart a basic choreographic vocabulary that allows dancers to
creatively shape their own language.



Kristin F. Wendland, Ph.D.
Department of Music
Emory University
1804 North Decatur Road
Atlanta, GA  30322
Office:  404-727-7936
Home:  404-627-5148

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