Mariana Dragone and Hernan Obispo have ended their 3 week stay (for Mariana,
only 2 weeks as she had a dance obligation in Italy).  They had a wonderful
stay here thanks to all the support and warmth they received from our
tangueros and tangueras, our milonga organizers and our teachers.  While
here they gave 14 workshops, taught before almost every major milonga, and
often gave private lessons until 11 p.m. at night such was the demand!  Our
community is one of the best in the United States and we should be very
proud of our level of support and our level of dancing and always the desire
to learn more and do better.

I noticed many dramatic changes in the dancing of the students who had
contact with Mariana and Hernan.  It was as Keith Elshaw from Montreal
commented on some time back, that both of them give so much personal
attention during even a group class, that each student is able to feel that
they have made solid progress, rather than being frustrated over a diffcult
concept.  Every one of the workshops was grounded in technique.  Much of
their technique is based on the ability to dissociate hip movement from
torso movement and it is difficult to progress in their classes without
having this basic concept down.  Once you have mastered the ability to do
contrabody movement they then show you how to utilize it in giros, boleos,
ochos, leading and following.  The contrabody movement is the basis for
being able to dance very close without losing your axis and thus being able
to play with the legs and feet.  The other thing that is so special about
their teaching is the emphasis on "sensation" that is feeling whether a
movement is right, rather than memorizing a figure or pattern.  Their
emphasis on "sensation" particularly with regard to connection between the
couple dancing,  brings back the joy of tango that many of us have lost in
our search for all the technical factors, change of direction, execution of
figures, etc.  One of their most interesting classes was about "Energy"
which taught how women could use their inner energy to control the pace of
the dance, sometimes even creating dramatic pauses, and creating a time
space within which to dance.  I personally found it a joy to work with them
and I believe that as in Montreal, they are much loved here.
Stella

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