Rio Tango Trip with Paulo Araujo - "Bem Legal" (Very Cool)

November 4-13, 2004

 

>From the air Rio presents a spectacular sight, azure waters ringed by a 
>circlet of uninhabited rocks, the city with its skyscrapers pocketed off into 
>distinct zones by the necklace of  verdant mountains, the dazzlingly white 
>stretches of beach, and the favela shantytowns clinging to the sides of the 
>mountains.  It is truly one of the most beautiful cities to fly over with 
>sensational contrasts of mountain, ocean, dwellings, jungle, waterfalls and 
>islands.  Almost at once my heart began singing and I felt like I was a 
>character in one of the old crime movies where the handsome huckster 
>villain-hero with his illegal millions says to his bella dama "We'll escape to 
>Rio honey."

Yes, there is an air of uninhibited, totally unrepentant, and unselfconscious 
sin about the city, from the gorgeous transvestites and prostitutes who parade 
openly on Copacabana Beach and in Lapa (the nightlife section of town) nearly 
unclothed, to the fact that no one stops for red lights (the traffic kind) 
while driving at night.

But it is also a great city for tango.  We started our  classes with Paulo who 
was warm and encouraging and made time to talk to everyone individually in the 
group.  During our week there we had several group classes at Cafe Xango, his 
studio in Botafogo and 14 hours of semi-private classes.  The classes were 
amazing, as all his classes are.  We learned his basic tenets but also had time 
for a lot of private correction which is impossible in the large classes. We 
particularly concentrated on slowing down our movements and analyzing them, so 
that we could correct bad, habitual patterns.  We became very aware of where 
our weight and balance were located, and the specifics of where each step 
needed to begin.  Depending on where the weight and balance are of the follower 
(feet together, unweighted foot forward or behind, or weight in between both 
feet), a different step can be led from each position.   His studio is the top 
two stories of an unmarked building at 172 rua da Passagem, and has a lovely 
view of Pao de Azucar (Sugarloaf Mountain).  It turned out that bus 119 ran 
directly from our hotel in Ipanema  to the Rio Sul shopping center, a 2 reale 
ride (2.75 reales = $1 US currently).  This bus runs every 5-10 minutes.  From 
the shopping center it was only a few blocks to walk to his studio, and this 
became our daily routine.

Paulo has wonderful teachers who share his studio.  Andre and Alice are a young 
and enthusiastic couple who help teach the tango classes while Paulo is away 
traveling and teaching 8 months out of the year.  Andre has a background in 
contemporary dance as well and Alice is a personal trainer and conducts 
stretching classes and can recommend massage therapists if you need one.  They 
took us samba dancing to an old traditional and very famous "gafeira" one night 
called Estudantina in the center of town.  This gafeira was an old wooden 
structure with no air-conditioning.  It was a warm night, like summer (the 
temperatures in Rio are at least 10 degrees warmer than Buenos Aires for the 
same time of year) and people were sweating like mad.  The live music at this 
particular night was mostly blues and jazz.  The samba and forro that they 
danced had a particular lilting quality with a lot of up and down and circular 
movement that we are not used to in tango.  There is a lot of pelvis to pelvis 
contact.  People are laughing and friendly and drinking their delicious 
Brazilian beer, not the serious, introspective expressions that you are used to 
seeing in tango.

We went to a tango milonga almost every night and got used to meeting the same 
tango addicts over and over again.  There are numerous tango teachers in Rio.  
Luckily most of the milongas were fairly near our area, because Rio is quite 
spread out due to the interspersed mountains.  Folks were friendly and it was 
quite common for women to ask the men to dance without the censure that often 
happens in a BA milonga.  "Cabeceo" was used, but often the men simply walked 
over to the table.  We were invited to private tango parties and celebrations.  
People gave us their phone numbers and offered rides.  The tango itself was not 
at as high a level in Buenos Aires, but each of us still had some very good 
dances, enough to tire out our feet.  


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