The answer will emphasize steps, weight changes, and several steps strung together, all of which can be danced pretty much in place. If anyone wants to flame me for writing about "several steps strung together", I can take the heat. Meanwhile, Mario will, I think, appreciate any advice, regardless. Don't wait for me if you have something he can use. It takes time to write well (especially with a critcal audience), especially about something as internal to the couple as "close embrace". And, I really was curious as to what kind of response he would get. Keith <[EMAIL PROTECTED]> wrote: The obvious answer Steve is ... lead the way.
What Mario actually asked was .... "which Tango sequences (patterns) can be danced in close embrace ... as I want to spend my time learning/practising only those patterns ..." If anyone had attempted to provide such information, he would have been mercilessly flamed by the list. I did think about correcting Mario's perceptions about how Tango should be danced, i.e. without fixed and practiced patterns, but I figured I'd just get flamed anyway for ... 'not being nice to a newbie', so I didn't bother. Keith, HK On Tue Dec 18 1:18 , steve pastor sent: >On Thursday the 13th Mario requested tips on > "Close embrace in close quarters". > I have yet to see a sinlge response. > Meanwhile, there have been more than 20 responses in the > "Boleo & Contra-boleo" thread. > I guess this speaks volumes about the interests of our > on line community. > _______________________________________________ Tango-L mailing list [email protected] http://mailman.mit.edu/mailman/listinfo/tango-l --------------------------------- Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. _______________________________________________ Tango-L mailing list [email protected] http://mailman.mit.edu/mailman/listinfo/tango-l
