"Mario, you dance great I love to dance with you....BUT, you are not doing 
TangoYou are doing the FOXTROT...." ...ugh,"

Mario this is a common problem with those that come into Argentine Tango from 
ballroom dancing:  the biggest misconception is to assume that Tango is another 
dance more, of the many that you already have mastered: Fox-trot, Rumba, Mambo, 
cha-cha-etc.   Each dance has a particular character that reflects the culture 
that originated it, the same as tango but ... Argentine tango is different from 
all of them in many ways .  You will always be drastically wrong when you 
extrapolate between the two of them. The result of such assumption will be a 
comical caricature of Tango.

Ballroom dances are done for fun but A. T. tango is done for the "Connection" 
with your partner, the music and with the rest of the dancers on the floor.

It must have, as well, other unique elements such as "feeling". These two 
characteristics "connection" and "feeling" are associated to other 
characteristics like the "tango embrace", the  "leaning forward", the 
connection to the ground with knees bent, (el arrugue), while keeping the same 
altitude without bouncing, etc, etc. and more importantly the high 
"concentration" with your partner, with the music and with the other dancers on 
the floor. 

This is very obvious when at the milongas in between "tandas" (sets) of tangos, 
swing, cumbia, merengue or salsa are played.  Everybody dances in a relaxed 
way, for fun, the clothing more or less lose, there is talking to each other,  
smiles or laughter; but when the new tango tanda starts people immediately 
change attitude: they fix their clothing, button their jackets, the expression 
becomes serious and one of high concentration, there is no talking.

It happens at times, that you dance with a person that executes the steps 
properly, that follows to perfection every move you lead but unfortunately the 
tango is a failure, a frustration, because that person's mind is not with you 
and the music, it is someplace else (bills that are to be paid, the coffee pot 
that is going to boil, etc).  There is no worse tango than the one danced that 
way, those are the ones that I call "fox-trot tangos".

So you have to learn the embrace, how to move (one hundred little details that 
you will never discover from looking at a video), how to walk, how to pose, how 
to connect, how to feel, then only then you will be dancing Argentine Tango.  

Summary: you can learn new steps for any ballroom dance from tapes but you will 
never learn how to dance A. T. from them.  

You will need a good instructor.   Tango is not just a dance, your partner is 
not just a partner. Tango is more than its parts, it is more than anything else,
the expression of an emotion coming from deep in your soul.  Every movement you 
make comes loaded with elements from the depth of your personality and your 
spirit. Tango is the expression of your individuality. 




 
_________________________________________________________________
Connect and share in new ways with Windows Live.
http://www.windowslive.com/share.html?ocid=TXT_TAGHM_Wave2_sharelife_012008
_______________________________________________
Tango-L mailing list
[email protected]
http://mailman.mit.edu/mailman/listinfo/tango-l

Reply via email to