Okay, now that this discussion is quite nice and respectful of different views, 
let me put in my two centavos...

Here is how I see those and related things. In principle, we dance tango with 
our bodies/torsos -- not with our legs or other parts (I hope you do not 
understand this as me saying that we leave those other parts at the table :-). 
So a leg moves as a result of the torso moving (or sometimes in preparation for 
a torso movement, mostly true for men -- although, even then the beginning of 
the movement is done my torso). The foot is placed at the optimal place on the 
floor so that a dynamic balance is maintained. In chest-to-chest embrace sort 
of dancing, the two torsos move as one. The initiation of the move is usually 
done by the man. 

The consequence of this paradigm is that the woman will (or has a good 
opportunity to) cross (the kind where her left leg ends up in front of the 
right, her left foot to the right of her right foot--although, the same holds 
true for all other cross situations) because her torso is moving in such a 
direction that makes it, the cross, the most comfortable and natural step. In 
that context, ultimately the cross step happens as a result of the "invitation 
to cross" and is not made because it is some kind of a rule.

Of course, there are many variations on this theme. There is also much to be 
said about the energy (not only the kinetic kind) that a movement projects and 
is felt that also hopefully affects where the leg/foot goes.

...dubravko

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seek, appreciate, and create beauty
   this life is not a rehearsal
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