Keith, HK writes ------->

Why should the lady 'ignore' the man's weight changes or, more importantly, how 
should she know when to ignore them and when to follow them? I've always 
believed that the man should change weight so that the lady doesn't even feel 
it. If she does feel it, she should follow it unless the man prevents that in 
some way, eg. 'suspension'.
_____________________
I think Floyd means "ignore during those exercises he was describing." When 
dancing the weight change of one's partner main body mass before a step is the 
major clue as to what's happening next.  It's how a man can plan to step onto 
the next beat of music and his partner step on it at exactly the same time.  
She can't read his mind; she must read his body.  And since the human reaction 
time is typically between 1/4 and 1/2 second, she must have warning in enough 
time to keep up with him.

Here are some practical applications of this.  The basic rhythm in tango is 
slow-slow.  The follower habitually steps to that rhythm.  This is how a man 
can safely do sacadas; he knows where her feet are going to be at any time 
(though he must glance down for an instant to be sure).  This is also how she 
can do adornos, which go between steps, because she's secure knowing that she 
has time to do them, and that he won't intrude without making sure there's 
space.  (If he's in a close embrace, he can't see but he can feel her legs 
indirectly through her body motion or directly through the - be still my 
libido! - silken caress of her thighs.)

It is said that the woman owns the rhythm and the man owns the changing of it - 
as well changing the direction of the walk.  If he wants to throw in an extra 
step or two (or more) he must do something extra with his lead.  If he wants 
her to copy his rhythm change he has to keep a firm (maybe extra firm) embrace. 
 If he wants her to continue the basic rhythm while he does his rhythm-adorno 
he must "suspend" (as Keith says) their contact a bit: loosen his embrace and 
give her added room to reduce body contact.
_____________________
If this sounds like an awful lot to think about, it is.  But thinking is what 
you're supposed to do in practice, to direct your practice to improve enough so 
that you don't think about details while dancing. You think about your partner 
and how wonderful hi/r body feels against you, about what s/he means to you, 
how lovely the moon is, how wonderful the music.

Tango seems to screw up people's brains sometimes.  They may be a competition 
level tennis player or professional pianist, used to volleying balls against a 
fence, or playing the scales, for literally hours a week to get new skills or 
to keep old ones.  But when it comes to more advanced tango dancing, suddenly 
they want to go right to Olympic levels without work.
_____________________
Chris, UK writes -------->

> there are some actions for which hands are crucial to leading properly.

Leading her back to her table? ;)

It's interesting to note how few girls agree with the idea that hand lead is 
ever "crucial".
_____________________

Is pan-universal telepathy with girls a new or an old skill with you?!

Perhaps this bad rap for hand leads got started because so many leaders want to 
wrestle women into following a lead.  But to dismiss hands  entirely is to 
ignore basic ergonomics.

Large motions in dance are shaped by the mid-body, the hara in judo and 
dan-tyen in kungfu. The upper body contact further refines the motions the 
leader wants.  The arms further refine it.  The hands occasionally refine it 
further IF NEEDED.

Here's an example.  In a parada, a stop, the leader presses his right hand 
firmly against his partner's back to arrest the last few inches of her backward 
motion.  At the same time his left hand presses against the palm of her 
"balance" hand.  The two pressures counter-balance each other.  The better the 
leader the lesser the pressures, but there must be some to fine-tune the parada 
at exactly the desired spot and attitude of his partner's body.

The hand has other uses in dancing tango.  It's very handy in patting a woman's 
bottom.  And slapping his face.


Larry de Los Angeles

_____________________________________________________________
Keep your home running smoothly with great home automation solutions! Click now!
http://thirdpartyoffers.juno.com/TGL2111/fc/Ioyw6iifZqjdswrNxn0tsUhSTvIt3E9E9QqpfB9Pxwq2st4tWgPbcW/



_______________________________________________
Tango-L mailing list
[email protected]
http://mailman.mit.edu/mailman/listinfo/tango-l

Reply via email to